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NOUVELLES VOIX<\/p>\n
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Cette exposition collective, conceptualis\u00e9e par le conservateur invit\u00e9, Matthew Kyba, remet en question l\u2019histoire du mus\u00e9e en tant qu\u2019outil colonial de p\u00e9dagogie occidentale et son influence sur les r\u00e9cits que nous racontons. Pour expliciter les principes dissimul\u00e9s \u00e0 m\u00eame les syst\u00e8mes de pr\u00e9sentation et les vis\u00e9es politiques des institutions culturelles, les quatre artistes\/duos artistiques participants s\u2019approprient diverses pratiques mus\u00e9ologiques \u2014 collection, didactique, vid\u00e9o, sculpture, techniques de pr\u00e9sentation et art\u00e9facts \u2014 dans le but de s\u2019interroger, par le biais de l\u2019autor\u00e9flexion, sur ces institutions et les r\u00e9cits politis\u00e9s qu\u2019elles nous imposent. Ces histoires que l’on se raconte\u00a0<\/i>\u00e9branle le pass\u00e9 colonial et la p\u00e9dagogie actuelle du mus\u00e9e en sondant la mani\u00e8re dont ce cadre fa\u00e7onne l\u2019opinion publique et l\u2019interpr\u00e9tation sociale de diff\u00e9rentes histoires et r\u00e9alit\u00e9s contemporaines.<\/p>\n
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Matthew Kyba<\/strong> est commissaire d\u2019exposition du Visual Arts Centre of Clarington. Ses plus r\u00e9centes expositions ont \u00e9t\u00e9 pr\u00e9sent\u00e9es (ou s\u2019y rendront) \u00e0 l\u2019Art Gallery of Hamilton, au Museum London, \u00e0 la Winnipeg Art Gallery, \u00e0 la Galerie d’art d’Ottawa, ainsi qu\u2019\u00e0 de nombreuses institutions culturelles publiques sans but lucratif du Canada. Il vit actuellement \u00e0 Oshawa, en Ontario, avec son chien Rico.<\/p>\n Emii Alrai<\/strong> est une artiste de Leeds. Son \u0153uvre se fonde sur la nostalgie h\u00e9rit\u00e9e, l\u2019identit\u00e9 g\u00e9ographique et les pratiques mus\u00e9ales postcoloniales de collection et d\u2019exposition d\u2019objets. Centr\u00e9e sur les mythologies anciennes du Moyen-Orient et les histoires orales personnelles d\u2019Irak, Alrai<\/strong> tisse la trame de r\u00e9cits en contrefaisant des art\u00e9facts et en visualisant des r\u00e9sidus de collision culturelle. Tirant des r\u00e9f\u00e9rences \u00e0 partir d\u2019objets de collections de mus\u00e9es, d\u2019\u00e9critures moyen-orientales anciennes et de m\u00e9moires culturelles, son \u0153uvre remet en question la valeur et les origines des art\u00e9facts, en plus d\u2019analyser l\u2019exp\u00e9rience de la diaspora. Elle a obtenu son baccalaur\u00e9at en beaux-arts et sa ma\u00eetrise en \u00e9tudes mus\u00e9ales \u00e0 l\u2019Universit\u00e9 de Leeds. Elle a \u00e9t\u00e9 choisie dans le cadre du programme de r\u00e9sidences Triangle Ast\u00e9rides 2021 (Marseille) et a re\u00e7u un prix de la Paul Hamlyn Foundation, en 2020. Parmi ses expositions r\u00e9centes et \u00e0 venir, on compte\u00a0: Jerwood Solo Presentations (en cours, 2021), Eastside Projects (2022), The Tetley, Leeds, R.-U. (2020); VITRINE, Londres (2019), Two Queens, Leicester, R.-U. (2019); GLOAM, Sheffield, R.-U. (2018).\u00a0<\/p>\n Sameer Farooq<\/strong>\u00a0est un artiste canadien d\u2019origine pakistanaise et ougandaise de souche indienne. Sa pratique interdisciplinaire sollicite l\u2019emploi de la sculpture, d\u2019installations, de la photographie, du cin\u00e9ma documentaire, de l\u2019\u00e9criture et des m\u00e9thodes anthropologiques. Le r\u00e9sultat consiste souvent en une \u0153uvre collaborative, qui sert de contrepoids \u00e0 la mani\u00e8re dont les institutions dominantes parlent de nos vies\u00a0: une contre-archive, de nouveaux ajouts \u00e0 une collection mus\u00e9ale ou une histoire enfouie mise au jour. Comptant des expositions dans des institutions du monde entier, y compris le mus\u00e9e Aga Khan (Toronto), le mus\u00e9e des beaux-arts de l\u2019Ontario (Toronto), la British Library (Londres), l\u2019Institut des Cultures d’Islam (Paris), la Vicki Myhren Gallery (Denver), la Contemporary Art Gallery (Vancouver),\u00a0Maquis Projects (Izmir), Trankat (T\u00e9touan, Maroc), la Sol Koffler Gallery (Providence), Artellewa (Le Caire) et Sanat Limani (Istanbul), Farooq<\/strong> a re\u00e7u plusieurs prix du Conseil des arts du Canada, du Conseil des arts de l\u2019Ontario, du Toronto Arts Council et de l\u2019Europe Media Fund, ainsi que la bourse du recteur de la Rhode Island School of Design. Des analyses et essais sur son \u0153uvre ont \u00e9t\u00e9 publi\u00e9s dans Artforum, C Magazine, le Washington Post, BBC Culture, Hyperallergic, Artnet, le Huffington Post, Canadian Art et bien d\u2019autres. En 2018, il a \u00e9galement figur\u00e9 sur la liste pr\u00e9liminaire du Prix Sobey pour les arts, prestigieux prix artistique canadien.<\/p>\n Mirjam Linschooten<\/strong>\u00a0(n. 1976, Leyde, Pays-Bas)\u00a0est une artiste en arts visuels, chercheuse et r\u00e9dactrice n\u00e9erlandaise. Elle a obtenu sa ma\u00eetrise au Dutch Art Institute (P.-B.) et un baccalaur\u00e9at en beaux-arts \u00e0 la Gerrit Rietveld Academy (P.-B.). Sa pratique multidisciplinaire s\u2019int\u00e9resse \u00e0 la fa\u00e7on dont les institutions de patrimoine culturel repr\u00e9sentent l\u2019histoire, en explorant les tactiques de repr\u00e9sentation et les m\u00e9thodes de construction de la m\u00e9moire, les formes de collection et l\u2019esth\u00e9tique de la pr\u00e9sentation. Son \u0153uvre se compose d\u2019installations, de films, de publications et de performances, qui sont pr\u00e9sent\u00e9s \u00e0 l\u2019\u00e9chelle nationale et internationale\u00a0: Stroom Den Haag, Cemeti (Yogyakarta), De Appel (Amsterdam), AGO (Toronto), Het Wilde Weten (Rotterdam), Van Abbemuseum (Eindhoven), Vicki Myhren Gallery (Denver), Contemporary Art Gallery (Vancouver), Trankat (T\u00e9touan), Artellewa (Le Caire) et Sanat LImani (Istanbul).<\/p>\n Jacqueline Ho\u00e0ng Nguy\u1ec5n\u00a0<\/strong>est une artiste en arts visuels qui utilise des archives et une vaste gamme de techniques, y compris, mais pas uniquement, la photographie, le film, la vid\u00e9o, le son et les arts imprim\u00e9s, pour se pencher sur des questions d\u2019historicit\u00e9, de collectivit\u00e9, de politique utopique et de multiculturalisme, par le biais de th\u00e9ories f\u00e9ministes. Vivant actuellement \u00e0 Stockholm, elle est doctorante au programme en \u00ab\u2009art, technologie et design\u2009\u00bb de la Konstfack University of Arts, Crafts and Design et du KTH Royal Institute of Technology. Nguy\u1ec5n<\/strong> a particip\u00e9 au Whitney Independent Study Program, \u00e0 New York, en 2011, apr\u00e8s avoir obtenu sa ma\u00eetrise en beaux-arts et un dipl\u00f4me d\u2019\u00e9tudes sup\u00e9rieures en \u00e9tudes critiques de la Malm\u00f6 Art Academy, en 2005, et un baccalaur\u00e9at en beaux-arts de l\u2019Universit\u00e9 Concordia, \u00e0 Montr\u00e9al, en 2003. Son \u0153uvre a \u00e9t\u00e9 pr\u00e9sent\u00e9e \u00e0 l\u2019international, notamment au Bonniers Konsthall, Stockholm (2021); \u00e0 la Bor\u00e5s Art Biennial, Bor\u00e5s (2021); au Trinity Square Video, Toronto (2019); \u00e0 la Sharjah Art Foundation, Sharjah (2018); \u00e0 la Cantor Fitzgerald Gallery, Philadelphie (2018); au MAMA, Rotterdam (2018); au SAVVY Contemporary, Berlin (2017); \u00e0 l\u2019EFA Project Space, New York (2016); et au Mercer Union, Toronto (2015).<\/p>\n Aseel AlYaqoub<\/strong> est une artiste multidisciplinaire qui se fonde sur la recherche et touche \u00e0 l\u2019histoire, \u00e0 la th\u00e9orie politique et \u00e0 la sociologie culturelle. Sa pratique aborde les m\u00e9thodologies h\u00e9rit\u00e9es qui d\u00e9finissent le concept de nation, les appareils d\u2019\u00c9tats et les identit\u00e9s contrefaites qui en d\u00e9coulent. Elle d\u00e9tient un baccalaur\u00e9at en arts du Chelsea College of Art and Design, \u00e0 Londres, et une ma\u00eetrise en beaux-arts du Pratt Institute de New York. AlYaqoub<\/strong> a compt\u00e9 parmi les conservateurs du pavillon du Kowe\u00eft \u00e0 la 17e<\/sup> Biennale d\u2019architecture de Venise, en 2021, et a re\u00e7u la commande Art Jameel, en collaboration avec Alia Farid, en 2018. Son \u0153uvre a \u00e9t\u00e9 expos\u00e9e \u00e0 la Maison de l\u2019humour et de la satire (Gabrovo), \u00e0 l\u2019Edge of Arabia (Londres), \u00e0 la Pierogi Gallery (New York), au Design Terminal (Budapest), \u00e0 la Sultan Gallery (Kowe\u00eft), au Museum of Modern Art (Kowe\u00eft) et \u00e0 la Contemporary Art Platform (Kowe\u00eft). Ses recherches ont \u00e9t\u00e9 pr\u00e9sent\u00e9es dans le cadre des symposiums de l\u2019Abu Dhabi Art (Abou Dabi), de la Nuqat Conference (Kowe\u00eft) et du National Museum (Doha).<\/p>\n [\/et_pb_toggle][\/et_pb_column][\/et_pb_row][et_pb_row disabled_on=\u00a0\u00bboff|off|off\u00a0\u00bb admin_label=\u00a0\u00bbDocumentation\u00a0\u00bb _builder_version=\u00a0\u00bb4.16″ collapsed=\u00a0\u00bbon\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4″ _builder_version=\u00a0\u00bb4.16″ global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_toggle title=\u00a0\u00bbDocumentation \u00a0\u00bb open_toggle_text_color=\u00a0\u00bb#000000″ open_toggle_background_color=\u00a0\u00bb#ffffff\u00a0\u00bb closed_toggle_text_color=\u00a0\u00bb#474747″ closed_toggle_background_color=\u00a0\u00bb#ffffff\u00a0\u00bb icon_color=\u00a0\u00bb#8dcb99″ use_icon_font_size=\u00a0\u00bbon\u00a0\u00bb icon_font_size=\u00a0\u00bb30px\u00a0\u00bb open_icon_color=\u00a0\u00bb#8dcb99″ open_use_icon_font_size=\u00a0\u00bbon\u00a0\u00bb open_icon_font_size=\u00a0\u00bb30px\u00a0\u00bb admin_label=\u00a0\u00bbDocumentation\u00a0\u00bb _builder_version=\u00a0\u00bb4.16″ title_text_color=\u00a0\u00bb#000000″ title_level=\u00a0\u00bbh6″ title_font=\u00a0\u00bb|300||||||#000000|\u00a0\u00bb title_text_align=\u00a0\u00bbleft\u00a0\u00bb title_font_size=\u00a0\u00bb20px\u00a0\u00bb title_line_height=\u00a0\u00bb1.5em\u00a0\u00bb closed_title_font=\u00a0\u00bb|300|||||||\u00a0\u00bb closed_title_text_align=\u00a0\u00bbleft\u00a0\u00bb closed_title_font_size=\u00a0\u00bb20px\u00a0\u00bb closed_title_line_height=\u00a0\u00bb1.5em\u00a0\u00bb body_font=\u00a0\u00bb||||||||\u00a0\u00bb body_text_align=\u00a0\u00bbleft\u00a0\u00bb body_font_size=\u00a0\u00bb18px\u00a0\u00bb body_line_height=\u00a0\u00bb2em\u00a0\u00bb text_orientation=\u00a0\u00bbleft\u00a0\u00bb width=\u00a0\u00bb100%\u00a0\u00bb custom_padding=\u00a0\u00bb25px|15px|10px|0px|false|false\u00a0\u00bb border_color_all=\u00a0\u00bb#ffffff\u00a0\u00bb border_color_bottom=\u00a0\u00bb#000000″ global_colors_info=\u00a0\u00bb{}\u00a0\u00bb border_width_all__hover_enabled=\u00a0\u00bbon|hover\u00a0\u00bb]<\/p>\n