{"id":3768,"date":"2018-01-17T17:00:29","date_gmt":"2018-01-17T22:00:29","guid":{"rendered":"https:\/\/foreman.ubishops.ca\/?p=3768"},"modified":"2022-08-14T16:08:17","modified_gmt":"2022-08-14T20:08:17","slug":"parallax-e","status":"publish","type":"post","link":"https:\/\/foreman.ubishops.ca\/fr\/parallax-e\/","title":{"rendered":"Parallax-e"},"content":{"rendered":"

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COURANTS SOCIAUX<\/p>\n

[\/et_pb_text][et_pb_text admin_label=\u00a0\u00bbExhibition Title\u00a0\u00bb _builder_version=\u00a0\u00bb4.17.6″ text_font=\u00a0\u00bb||||||||\u00a0\u00bb text_text_color=\u00a0\u00bb#474747″ text_font_size=\u00a0\u00bb18px\u00a0\u00bb text_line_height=\u00a0\u00bb2em\u00a0\u00bb header_font=\u00a0\u00bb|600|||||||\u00a0\u00bb header_font_size=\u00a0\u00bb36px\u00a0\u00bb header_line_height=\u00a0\u00bb1.5em\u00a0\u00bb header_2_font=\u00a0\u00bb|600|||||||\u00a0\u00bb header_2_font_size=\u00a0\u00bb20px\u00a0\u00bb header_2_line_height=\u00a0\u00bb1.5em\u00a0\u00bb header_3_font=\u00a0\u00bb|300|||||||\u00a0\u00bb header_3_font_size=\u00a0\u00bb20px\u00a0\u00bb header_3_line_height=\u00a0\u00bb2em\u00a0\u00bb header_6_font=\u00a0\u00bb||||||||\u00a0\u00bb header_6_font_size=\u00a0\u00bb18px\u00a0\u00bb custom_padding=\u00a0\u00bb40px||40px||true|false\u00a0\u00bb custom_padding_tablet=\u00a0\u00bb\u00a0\u00bb custom_padding_phone=\u00a0\u00bb\u00a0\u00bb custom_padding_last_edited=\u00a0\u00bbon|desktop\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]<\/p>\n

Parallax-e<\/h1>\n

17 janvier \u2013 17 mars 2018<\/h2>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=\u00a0\u00bb1″ admin_label=\u00a0\u00bbOverview\u00a0\u00bb _builder_version=\u00a0\u00bb4.16″ custom_margin=\u00a0\u00bb0px||||false|false\u00a0\u00bb collapsed=\u00a0\u00bbon\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_row admin_label=\u00a0\u00bbSurvol de l’exposition\u00a0\u00bb _builder_version=\u00a0\u00bb4.16″ collapsed=\u00a0\u00bbon\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4″ _builder_version=\u00a0\u00bb4.16″ global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_gallery gallery_ids=\u00a0\u00bb3755,3757″ fullwidth=\u00a0\u00bbon\u00a0\u00bb admin_label=\u00a0\u00bbMain Images\u00a0\u00bb _builder_version=\u00a0\u00bb4.17.6″ title_text_align=\u00a0\u00bbcenter\u00a0\u00bb caption_text_align=\u00a0\u00bbleft\u00a0\u00bb background_color=\u00a0\u00bbrgba(0,0,0,0)\u00a0\u00bb position_origin_a=\u00a0\u00bbcenter_center\u00a0\u00bb text_orientation=\u00a0\u00bbleft\u00a0\u00bb width=\u00a0\u00bb100%\u00a0\u00bb module_alignment=\u00a0\u00bbcenter\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_gallery][et_pb_text admin_label=\u00a0\u00bbMain Info\u00a0\u00bb _builder_version=\u00a0\u00bb4.17.6″ text_font=\u00a0\u00bb||||||||\u00a0\u00bb text_text_color=\u00a0\u00bb#474747″ text_font_size=\u00a0\u00bb18px\u00a0\u00bb text_line_height=\u00a0\u00bb2em\u00a0\u00bb header_font=\u00a0\u00bb|600|||||||\u00a0\u00bb header_text_color=\u00a0\u00bb#474747″ header_font_size=\u00a0\u00bb36px\u00a0\u00bb header_line_height=\u00a0\u00bb2em\u00a0\u00bb header_2_font=\u00a0\u00bb||||||||solid\u00a0\u00bb header_2_text_color=\u00a0\u00bb#474747″ header_2_font_size=\u00a0\u00bb20px\u00a0\u00bb header_2_line_height=\u00a0\u00bb0.5em\u00a0\u00bb header_3_font=\u00a0\u00bb|300|||||||\u00a0\u00bb header_3_text_color=\u00a0\u00bb#474747″ header_3_font_size=\u00a0\u00bb20px\u00a0\u00bb header_6_font=\u00a0\u00bb||||||||\u00a0\u00bb header_6_text_color=\u00a0\u00bb#474747″ header_6_font_size=\u00a0\u00bb18px\u00a0\u00bb background_enable_color=\u00a0\u00bboff\u00a0\u00bb custom_margin=\u00a0\u00bb50px||50px||true|false\u00a0\u00bb custom_padding=\u00a0\u00bb10px||||false|false\u00a0\u00bb border_radii=\u00a0\u00bboff||||\u00a0\u00bb border_color_all=\u00a0\u00bb#d7ffe0″ global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]<\/p>\n

Artistes<\/h2>\n

Jean-Pierre\u00a0<\/span>Aub\u00e9<\/span>, Nicolas\u00a0<\/span>Baier<\/span>, Bettina Forget, Laurent Grasso, Rachel\u00a0<\/span>Sussman<\/span>,\u00a0<\/span>Semiconductor<\/span>, Julie Tremble<\/span><\/span>\u00a0<\/span><\/h3>\n

\u00a0<\/h2>\n

Commissaire<\/h2>\n

Gentiane B\u00e9langer<\/h3>\n

[\/et_pb_text][et_pb_text admin_label=\u00a0\u00bbEvents Title\u00a0\u00bb _builder_version=\u00a0\u00bb4.16″ text_text_color=\u00a0\u00bb#000000″ text_font_size=\u00a0\u00bb20px\u00a0\u00bb header_6_font=\u00a0\u00bb|300|||||||\u00a0\u00bb header_6_font_size=\u00a0\u00bb20px\u00a0\u00bb custom_padding=\u00a0\u00bb10px||0px||false|false\u00a0\u00bb border_width_bottom=\u00a0\u00bb1px\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]<\/p>\n

Survol<\/h6>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\u00a0\u00bb1_4,3_4″ admin_label=\u00a0\u00bbTexte survol\u00a0\u00bb _builder_version=\u00a0\u00bb4.16″ custom_padding=\u00a0\u00bb0px||0px||true|false\u00a0\u00bb collapsed=\u00a0\u00bbon\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb1_4″ _builder_version=\u00a0\u00bb4.16″ custom_padding=\u00a0\u00bb|||\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb custom_padding__hover=\u00a0\u00bb|||\u00a0\u00bb][\/et_pb_column][et_pb_column type=\u00a0\u00bb3_4″ _builder_version=\u00a0\u00bb4.16″ custom_padding=\u00a0\u00bb|||\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb custom_padding__hover=\u00a0\u00bb|||\u00a0\u00bb][et_pb_text admin_label=\u00a0\u00bbExhibition Overview Text\u00a0\u00bb _builder_version=\u00a0\u00bb4.16″ text_font=\u00a0\u00bb||||||||\u00a0\u00bb text_text_color=\u00a0\u00bb#474747″ text_font_size=\u00a0\u00bb18px\u00a0\u00bb text_line_height=\u00a0\u00bb1.9em\u00a0\u00bb background_enable_image=\u00a0\u00bboff\u00a0\u00bb background_position=\u00a0\u00bbtop_left\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]Afin de c\u00e9l\u00e9brer ses vingt ans d\u2019existence, la Galerie d\u2019art Foreman inaugure l\u2019ann\u00e9e 2018 avec un projet f\u00e9d\u00e9rateur qui fait \u00e9cho \u00e0 la R\u00e9serve internationale de ciel \u00e9toil\u00e9 du\u202f<\/span>Mont-M\u00e9gantic\u202f<\/span>ainsi qu\u2019aux activit\u00e9s de recherche en astrophysique dans la r\u00e9gion.\u202f<\/span>Parallax-e<\/span><\/i>\u202fexplore l\u2019\u00e9mergence d\u2019un sublime astronomique nourri par les avanc\u00e9es dans les technologies optiques et num\u00e9riques, les projections scientifiques et les conventions esth\u00e9tiques en \u00e9volution. Dans son acception la plus \u00e9tendue, la parallaxe d\u00e9signe l\u2019influence de l\u2019angle de perception d\u2019un observateur sur l\u2019observation d\u2019un objet. Cette notion, fort utile pour d\u00e9terminer la distance des \u00e9toiles, est avant tout employ\u00e9e dans un cadre physique, notamment en photographie et en astronomie. Le principe de la parallaxe est cependant applicable \u00e0 une multitude de contextes, pour d\u00e9crire un effet de perspective dans l\u2019appr\u00e9hension d\u2019une r\u00e9alit\u00e9 donn\u00e9e, qu\u2019elle soit d\u2019ordre physique, empirique, cognitif, affectif ou conceptuel.\u202f<\/span>En philosophie, l\u2019approche pr\u00e9conis\u00e9e t\u00e9moigne souvent du principe de la parallaxe, sous la forme d\u2019un \u00ab\u202fpas de c\u00f4t\u00e9\u202f\u00bb \u00e9pist\u00e9mologique qui bouleverse les lieux communs d\u2019interpr\u00e9tation.\u202f<\/span>La parallaxe d\u00e9signe alors l\u2019art de d\u00e9saxer le regard afin d\u2019exposer les facettes n\u00e9glig\u00e9es de notre propre perception, la distorsion qui fa\u00e7onne notre rapport au r\u00e9el.<\/span>\u00a0<\/span><\/p>\n

Les artistes regroup\u00e9s dans\u202f<\/span>Parallax-e<\/span><\/i>\u202f<\/span><\/i>font un pas de c\u00f4t\u00e9 et interrogent la culture visuelle issue des activit\u00e9s en astrophysique en y posant un regard oblique, d\u00e9cal\u00e9. Mises en conversation, les \u0153uvres pr\u00e9sent\u00e9es ici soulignent l\u2019interaction entre\u202fla technologie, l\u2019esth\u00e9tique et la politique dans le d\u00e9veloppement de notre conscience cosmologique. Au c\u0153ur de cette exposition, l\u2019imagerie scientifique c\u00f4toie des formes populaires, anciennes, symboliques et fantasm\u00e9es de repr\u00e9sentation du cosmos. Avec des clins d\u2019\u0153il adress\u00e9s au cin\u00e9ma, \u00e0 la Renaissance flamande, \u00e0 la peinture d\u2019histoire et aux mod\u00e9lisations scientifiques,\u202f<\/span>Parallax-e<\/span><\/i>\u202fcompose un r\u00e9cit complexe et multivalent de notre rapport au monde c\u00e9leste.<\/span>\u00a0<\/span>
\n[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row admin_label=\u00a0\u00bbArtiste(s)\u00a0\u00bb _builder_version=\u00a0\u00bb4.16″ collapsed=\u00a0\u00bbon\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4″ _builder_version=\u00a0\u00bb4.16″ global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_toggle title=\u00a0\u00bbArtistes\u00a0\u00bb open_toggle_text_color=\u00a0\u00bb#000000″ open_toggle_background_color=\u00a0\u00bb#ffffff\u00a0\u00bb closed_toggle_text_color=\u00a0\u00bb#474747″ closed_toggle_background_color=\u00a0\u00bb#ffffff\u00a0\u00bb icon_color=\u00a0\u00bb#8dcb99″ use_icon_font_size=\u00a0\u00bbon\u00a0\u00bb icon_font_size=\u00a0\u00bb30px\u00a0\u00bb open_icon_color=\u00a0\u00bb#8dcb99″ open_use_icon_font_size=\u00a0\u00bbon\u00a0\u00bb open_icon_font_size=\u00a0\u00bb30px\u00a0\u00bb admin_label=\u00a0\u00bbArtist(s)\u00a0\u00bb _builder_version=\u00a0\u00bb4.16″ title_text_color=\u00a0\u00bb#000000″ title_level=\u00a0\u00bbh6″ title_font=\u00a0\u00bb|300||||||#000000|\u00a0\u00bb title_text_align=\u00a0\u00bbleft\u00a0\u00bb title_font_size=\u00a0\u00bb20px\u00a0\u00bb title_line_height=\u00a0\u00bb1.5em\u00a0\u00bb closed_title_font=\u00a0\u00bb|300|||||||\u00a0\u00bb closed_title_text_align=\u00a0\u00bbleft\u00a0\u00bb closed_title_font_size=\u00a0\u00bb20px\u00a0\u00bb closed_title_line_height=\u00a0\u00bb1.5em\u00a0\u00bb body_font=\u00a0\u00bb||||||||\u00a0\u00bb body_text_align=\u00a0\u00bbleft\u00a0\u00bb body_text_color=\u00a0\u00bb#474747″ body_font_size=\u00a0\u00bb18px\u00a0\u00bb body_line_height=\u00a0\u00bb1.9em\u00a0\u00bb text_orientation=\u00a0\u00bbleft\u00a0\u00bb width=\u00a0\u00bb100%\u00a0\u00bb custom_padding=\u00a0\u00bb25px|15px|10px|0px|false|false\u00a0\u00bb border_color_all=\u00a0\u00bb#ffffff\u00a0\u00bb border_color_bottom=\u00a0\u00bb#000000″ global_colors_info=\u00a0\u00bb{}\u00a0\u00bb border_width_all__hover_enabled=\u00a0\u00bbon|hover\u00a0\u00bb]Jean-Pierre\u00a0<\/span><\/b>Aub\u00e9<\/span><\/b>\u00a0vit et travaille \u00e0 Montr\u00e9al. Il d\u00e9tient une ma\u00eetrise en arts plastiques de l\u2019\u00c9cole des arts visuels et m\u00e9diatiques de l\u2019UQAM. \u00c0 travers sa d\u00e9marche, l\u2019artiste d\u00e9veloppe des outils qui lui permettent de capter diff\u00e9rents ph\u00e9nom\u00e8nes naturels utilis\u00e9s comme mat\u00e9riaux de ses performances et installations. Son travail a \u00e9t\u00e9 pr\u00e9sent\u00e9 au Canada, au Mexique, en Allemagne, en France, au Danemark, en Angleterre et en Serbie.<\/span>\u00a0<\/span><\/p>\n

Nic<\/span><\/b>olas\u00a0<\/span><\/b>Baier<\/span><\/b>\u00a0<\/span>sonde\u00a0<\/span>les limite<\/span>s indicibles du<\/span>\u00a0monde. De l\u2019<\/span>\u00e9tranget\u00e9 quantique \u00e0\u00a0<\/span>l\u2019incommensurabilit\u00e9 cosmique,\u00a0<\/span>Baier<\/span>\u00a0revisite et interpr\u00e8te le mat\u00e9riel de la science avec la po\u00e9sie visuelle qui lui est propre.\u00a0<\/span>R\u00e9cipie<\/span>ndaire du P<\/span>rix<\/span>\u00a0Louis-Comtois (2015) et du Prix Pierre-<\/span>Ayot<\/span>\u00a0(2000),<\/span>\u00a0<\/span>Nicolas\u00a0<\/span>Baier<\/span>\u00a0a \u00e9t\u00e9 retenu pour de nombreux concours d\u2019art public, notamment au Centre hospitalier de l\u2019Universit\u00e9 de Montr\u00e9al (CHUM),\u00a0<\/span>au McGill Center for\u00a0<\/span>Health<\/span>,\u00a0<\/span>au Mus\u00e9e d\u2019arch\u00e9ologie et d\u2019histoire de Montr\u00e9al (Pointe-\u00e0-<\/span>Calli\u00e8re<\/span>),<\/span>\u00a0<\/span>\u00e0 l\u2019Universit\u00e9\u00a0<\/span>Concordia ainsi qu\u2019\u00e0 l\u2019Universit\u00e9\u00a0<\/span>Bishop\u2019s<\/span>. Son travail a \u00e9t\u00e9 abonda<\/span>mment pr\u00e9sent\u00e9 au Canada et \u00e0 l\u2019international<\/span>,<\/span>\u00a0notamment au Mus\u00e9e des beaux-arts du Canada<\/span>\u00a0(Ottawa)<\/span>, au\u00a0<\/span>Ryerson<\/span>\u00a0Image Center<\/span>\u00a0(Toronto)<\/span>, au Centre canadien d\u2019architecture<\/span>\u00a0(Montr\u00e9al<\/span>), au Mus\u00e9e d\u2019<\/span>a<\/span>rt\u00a0<\/span>contemporain de Montr\u00e9al, au Mus\u00e9e national des beaux-arts du Qu\u00e9bec, au Massachusetts Museum of\u00a0<\/span>Contemporary<\/span>\u00a0Art (MASS<\/span>\u00a0<\/span>MoCA<\/span>)<\/span>, au Centre culturel canadien \u00e0\u00a0<\/span>Paris\u00a0<\/span>ainsi qu\u2019au Mus\u00e9e<\/span>\u00a0<\/span>d\u2019art contemporain\u00a0<\/span>du Val-de<\/span>-Marne, \u00e0 Paris.\u00a0<\/span>\u00a0<\/span>\u00a0<\/span><\/p>\n

Bettina Forget<\/span><\/b>\u00a0est artiste visuelle, galeriste, \u00e9ducatrice en art et chercheuse. Elle vit et travaille \u00e0 Montr\u00e9al. Directrice et propri\u00e9taire de la Visual Voice\u00a0<\/span>Gallery<\/span>, elle est \u00e9galement la chercheuse Art-Science du programme d\u2019artistes en r\u00e9sidence de l\u2019institut SETI. \u00c0 ce titre, elle s\u2019int\u00e9resse \u00e0 la\u00a0<\/span>transposition d\u2019id\u00e9es issues de collaborations entre artistes et scientifiques, et explore diff\u00e9rents modes de connaissance. Ses \u0153uvres traitent d\u2019astronomie, de science-fiction et de questions f\u00e9ministes. N\u00e9e en Allemagne, Bettina Forget a \u00e9tudi\u00e9 au<\/span>\u00a0<\/span>Central Saint Martins\u00a0<\/span>College<\/span>\u00a0of Art and Design de Londres, en Angleterre, \u00e0 l\u2019Universit\u00e9\u00a0<\/span>Curtin<\/span>\u00a0de Perth,<\/span>\u00a0en Australie, ainsi qu\u2019\u00e0 la\u00a0<\/span>Nanyang\u00a0<\/span>Academy<\/span>\u00a0of Fine Arts de Singapour. Elle poursuit actuellement une ma\u00eetrise en \u00e9ducation artistique \u00e0 l\u2019Universit\u00e9 Concordia, \u00e0 Montr\u00e9al. Son projet de recherche aborde la\u00a0<\/span>recontextualisation<\/span>\u00a0de l\u2019art et de la science et la fa\u00e7on dont la \u00ab\u202fMaker\u00a0<\/span>Education<\/span>\u202f\u00bb permettrait d\u2019amener les femmes et les filles \u00e0 s\u2019int\u00e9resser aux disciplines STIM.<\/span>\u00a0<\/span><\/p>\n

\u00a0<\/span><\/p>\n

Laurent\u00a0<\/span><\/b>Grasso<\/span><\/b>\u00a0<\/span>a d\u00e9velopp\u00e9 une fascination pour les possibilit\u00e9s visuelles li\u00e9es \u00e0 la science de l\u2019\u00e9nergie \u00e9lectromagn\u00e9tique, des ondes radio et des ph\u00e9nom\u00e8nes naturels<\/span>. L\u2019artiste<\/span>\u00a0a re\u00e7u le prix Meru Art*Science \u00e0 Bergame, en Italie, et a \u00e9t\u00e9 nomm\u00e9 Chevalier de l\u2019ordre des Arts et des Lettres, apr\u00e8s avoir obtenu le prix Marcel Duchamp. Son travail a \u00e9t\u00e9 pr\u00e9sent\u00e9 r\u00e9cemment dans le cadre d\u2019expositions personnelles, notamment\u202f:\u00a0<\/span>PARAMUSEUM<\/span><\/i>, Palais Fesch, Mus\u00e9e des Beaux-Arts, \u00e0 Ajaccio (France, 2016);\u202f<\/span>Soleil Noir<\/span><\/i>, Fondation Herm\u00e8s, \u00e0 Tokyo (Japon, 2015);\u202f<\/span>Les Oiseaux<\/span><\/i>, Mus\u00e9e de l’Hospice Saint-Roch, \u00e0 Issoudun (France, 2014);\u202f<\/span>Disasters<\/span><\/i>\u00a0and Miracles<\/span><\/i>,\u00a0<\/span>Kunsthaus<\/span>\u00a0<\/span>Baselland<\/span>, \u00e0 Muttenz (Suisse, 2013);\u202f<\/span>Uraniborg<\/span><\/i>, au Mus\u00e9e d\u2019art contemporain de Montr\u00e9al (Canada, 2013) et au Jeu de Paume<\/span>,<\/span>\u00a0\u00e0 Paris (France, 2012);\u202f<\/span>Portrait of a Young Man,\u202f<\/span><\/i>Bass Museum of Art, Miami;\u202f<\/span>The Black Box Laurent\u00a0<\/span><\/i>Grasso<\/span><\/i>,\u00a0<\/span>Hirshhorn<\/span>\u00a0Museum and Sculpture Garden, \u00e0 Washington, et\u202f<\/span>Nomiya<\/span><\/i>, au Palais de Tokyo<\/span>,<\/span>\u00a0\u00e0 Paris<\/span>,<\/span>\u00a0en 2011.\u202f<\/span>\u00a0<\/span><\/p>\n

Rachel\u202f<\/span><\/b>Sussman<\/span><\/b>\u00a0a obtenu des bourses Guggenheim, de la NYFA et de la\u00a0<\/span>MacDowell<\/span>\u00a0<\/span>Colony<\/span>, en plus d\u2019avoir prononc\u00e9 deux conf\u00e9rences TED. Salu\u00e9 par la critique, \u00ab\u202f<\/span>The\u00a0<\/span>Oldest<\/span>\u00a0Living\u00a0<\/span>Things<\/span>\u00a0in the World<\/span><\/a>\u202f\u00bb, un projet qui s\u2019est d\u00e9roul\u00e9 sur une dizaine d\u2019ann\u00e9es<\/span>,\u00a0<\/span>combine\u00a0<\/span>l\u2019<\/span>art,\u00a0<\/span>la\u00a0<\/span>science et\u00a0<\/span>la\u00a0<\/span>philosophie sous la forme d\u2019une\u00a0<\/span>exposition itin\u00e9rante et d\u2019un livre class\u00e9 parmi les succ\u00e8s\u00a0<\/span>de librairie\u00a0<\/span>du New York Times. En 2014, elle a commenc\u00e9 \u00e0 travailler sur de nouvelles installations dans lesquelles elle explor<\/span>e plus \u00e0 fond le\u00a0<\/span>temps personnel\u00a0<\/span>et\u00a0<\/span>le temps\u00a0<\/span>cosmique, l\u2019univers, la nature, la philosophi<\/span>e et la beaut\u00e9. E<\/span>lle re\u00e7oit l\u2019appui du LACMA\u00a0<\/span>Lab<\/span>\u00a0et travaille aussi avec\u00a0<\/span>SpaceX<\/span>, la NASA et le CERN. Ses nouvelles \u0153uvres sont expos\u00e9es au MASS\u00a0<\/span>MoCA<\/span>, au\u00a0<\/span>New Museum Los\u00a0<\/span>Gatos<\/span>\u00a0et au Des Moines Art Center. Elle est actuellement artiste en r\u00e9sidence \u00e0 l\u2019institut SETI. Depuis plus d\u2019une dizaine d\u2019ann\u00e9es, ses \u0153uvres sont pr\u00e9sent\u00e9es dans des mus\u00e9es et galeries aux \u00c9tats-Unis, en Europe, au Moyen-Orient et en Asie.<\/span>\u00a0<\/span><\/p>\n

Semiconductor<\/span><\/b>\u00a0est un duo d\u2019artistes britanniques compos\u00e9 de Ruth\u00a0<\/span>Jarman<\/span>\u00a0et Joe Gerhardt. Leurs \u0153uvres utilisent des images en mouvement pour\u00a0<\/span>examiner<\/span>\u00a0le monde mat\u00e9riel et notre fa\u00e7on de l\u2019appr\u00e9hender \u00e0 travers la lentille de la science et de la technologie, en interrogeant la fa\u00e7on dont ces derni\u00e8res m\u00e9diatisent notre exp\u00e9rience des choses. Leur approche singuli\u00e8re leur a valu de nombreux prix et des bourses prestigieuses, notamment : le Samsung Art+\u00a0<\/span>Prize<\/span>\u00a02012 pour les nouveaux m\u00e9dias, une bourse du\u00a0<\/span>Smithsonian<\/span>\u00a0Artists\u00a0<\/span>Research<\/span>\u00a0<\/span>Fellowship<\/span>,\u202fle prix et la r\u00e9sidence d\u2019artistes\u00a0<\/span>Collide@CERN<\/span>\u202fainsi que la bourse\u00a0<\/span>Space<\/span>\u00a0Sciences de la NASA. Parmi les expositions et projections auxquelles le duo a particip\u00e9, citons\u00a0<\/span>Let There Be Light<\/span><\/i>, Maison des arts \u00e9lectroniques de B\u00e2le (exposition individuelle);\u202f<\/span>Worlds in the\u00a0<\/span><\/i>Making<\/span><\/i>, FACT, Liverpool (exposition individuelle);\u202f<\/span>Da Vinci:\u00a0<\/span><\/i>Shaping<\/span><\/i>\u00a0the Future<\/span><\/i>,\u00a0<\/span>ArtScience<\/span>\u00a0Museum, Singapour;\u00a0<\/span>Field Conditions<\/span><\/i>, San Francisco Museum of Modern Art;\u202f<\/span>Earth<\/span><\/i>; Art of a\u00a0<\/span><\/i>Changing<\/span><\/i>\u00a0World<\/span><\/i>, Royal\u00a0<\/span>Academy<\/span>\u00a0of Arts, Londres; ainsi que le Festival international du film de Rotterdam; le Festival du film de New York; le Festival du film de Sundance et l\u2019<\/span>European<\/span>\u00a0Media Art Festival.<\/span>\u00a0<\/span><\/p>\n

Julie Tremble<\/span><\/b>\u00a0d\u00e9tient une ma\u00eetrise en \u00e9tudes cin\u00e9matographiques de l\u2019Universit\u00e9 de Montr\u00e9al (2005) ainsi qu\u2019un baccalaur\u00e9at combinant cin\u00e9ma et philosophie (2000). Son travail a \u00e9t\u00e9 pr\u00e9sent\u00e9 au Canada, en France, en Indon\u00e9sie et aux \u00c9tats-Unis, dans des galeries et des centres d\u2019artistes, ainsi que lors de diff\u00e9rents\u00a0<\/span>festivals<\/span>,<\/span>\u00a0dont le F<\/span>estival du nouveau cin\u00e9ma, Images Festival, le Festival des films sur l\u2019art et ARKIPEL International\u00a0<\/span>Documentary<\/span>\u00a0and\u00a0<\/span>Experimental<\/span>\u00a0Film Festival. En 2013, elle re\u00e7ut le prix du CALQ pour la meilleure \u0153uvre d\u2019art et d\u2019exp\u00e9rimentation. Ses vid\u00e9os sont distribu\u00e9es par le Groupe Intervention Vid\u00e9o (GIV). Elle r\u00e9side actuellement \u00e0 Montr\u00e9al.<\/span>\u00a0<\/span>[\/et_pb_toggle][\/et_pb_column][\/et_pb_row][et_pb_row admin_label=\u00a0\u00bbInfo additionnelle \u00a0\u00bb _builder_version=\u00a0\u00bb4.16″ collapsed=\u00a0\u00bbon\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4″ _builder_version=\u00a0\u00bb4.16″ global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_toggle title=\u00a0\u00bbDocumentation\u00a0\u00bb open_toggle_text_color=\u00a0\u00bb#000000″ open_toggle_background_color=\u00a0\u00bb#ffffff\u00a0\u00bb closed_toggle_text_color=\u00a0\u00bb#474747″ closed_toggle_background_color=\u00a0\u00bb#ffffff\u00a0\u00bb icon_color=\u00a0\u00bb#8dcb99″ use_icon_font_size=\u00a0\u00bbon\u00a0\u00bb icon_font_size=\u00a0\u00bb30px\u00a0\u00bb open_icon_color=\u00a0\u00bb#8dcb99″ open_use_icon_font_size=\u00a0\u00bbon\u00a0\u00bb open_icon_font_size=\u00a0\u00bb30px\u00a0\u00bb admin_label=\u00a0\u00bbDocumentation\u00a0\u00bb _builder_version=\u00a0\u00bb4.16″ title_text_color=\u00a0\u00bb#000000″ title_level=\u00a0\u00bbh6″ title_font=\u00a0\u00bb|300||||||#000000|\u00a0\u00bb title_text_align=\u00a0\u00bbleft\u00a0\u00bb title_font_size=\u00a0\u00bb20px\u00a0\u00bb title_line_height=\u00a0\u00bb1.5em\u00a0\u00bb closed_title_font=\u00a0\u00bb|300|||||||\u00a0\u00bb closed_title_text_align=\u00a0\u00bbleft\u00a0\u00bb closed_title_font_size=\u00a0\u00bb20px\u00a0\u00bb closed_title_line_height=\u00a0\u00bb1.5em\u00a0\u00bb body_font=\u00a0\u00bb||||||||\u00a0\u00bb body_text_align=\u00a0\u00bbleft\u00a0\u00bb body_font_size=\u00a0\u00bb18px\u00a0\u00bb body_line_height=\u00a0\u00bb2em\u00a0\u00bb text_orientation=\u00a0\u00bbleft\u00a0\u00bb width=\u00a0\u00bb100%\u00a0\u00bb custom_padding=\u00a0\u00bb25px|15px|10px|0px|false|false\u00a0\u00bb border_color_all=\u00a0\u00bb#ffffff\u00a0\u00bb border_color_bottom=\u00a0\u00bb#000000″ global_colors_info=\u00a0\u00bb{}\u00a0\u00bb border_width_all__hover_enabled=\u00a0\u00bbon|hover\u00a0\u00bb]Communiqu\u00e9 de presse<\/a><\/p>\n

Opuscule<\/a>
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\u00c9v\u00e9nements<\/h6>\n

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Vernissage<\/b><\/div>\n
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Mercredi le 17 janvier de 17 \u00e0 19 heures.\u00a0Les artistes et la commissaire discuteront de leur travail avec les visiteurs \u00e0 17h30 le soir de la r\u00e9ception d’ouverture.<\/span><\/p>\n

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Table ronde<\/b><\/div>\n
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Dans le cadre de cette exposition, la Galerie d\u2019art Foreman organisait une table ronde sur le th\u00e8me de la culture visuelle en astronomie<\/a><\/strong>, le 28 f\u00e9vrier \u00e0 19h, dans le lobby du Th\u00e9\u00e2tre Centennial (Universit\u00e9 Bishop\u2019s).<\/p>\n

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Couverture de presse<\/b><\/div>\n
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  • Isabelle Pion,\u00a0<\/span>Lumi\u00e8re sur le cosmos<\/span><\/i>, La tribune, 20 janvier 2018.<\/span>\u00a0<\/span><\/li>\n
  • Jasmine Godbout,\u00a0<\/span>Parallax-e<\/span><\/i>:<\/span><\/i>\u00a0<\/span>une perception parall\u00e8le<\/span><\/i>, Le Collectif, 6 f\u00e9vrier 2018.<\/span><\/li>\n
  • Loch Baillie, Foreman Art Gallery presents Parallax-e, the Campus, Vol 17, No 7, 24 janvier <\/span>2018, p.1.<\/span><\/li>\n
  • N\/A,\u00a0<\/span>Portfolio\u00a0<\/span><\/i>Parallax-e<\/span><\/i>, Espace, vol. 119, Spring-Summer 2018.<\/span>\u00a0<\/span><\/li>\n
  • Saroja<\/span>\u00a0Coelho,\u00a0<\/span>Unders<\/span><\/i>tanding the immensity of the wo<\/span><\/i>r<\/span><\/i>l<\/span><\/i>d we inhabit<\/span><\/i>, CBC Breakaway,<\/span>\u00a0<\/span>16 janvier<\/span>\u00a02018<\/span>.\u00a0<\/span><\/li>\n
  • Sophie Drouin,\u00a0<\/span>Parallax-e<\/span><\/i>, Galerie d\u2019art\u00a0<\/span><\/i>Foreman<\/span><\/i>, Sherbrooke<\/span><\/i>, Esse webzine, 12 mars 2018.<\/span><\/li>\n<\/ul>\n

     <\/p>\n<\/div>\n

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    COURANTS SOCIAUXParallax-e 17 janvier \u2013 17 mars 2018Artistes Jean-Pierre\u00a0Aub\u00e9, Nicolas\u00a0Baier, Bettina Forget, Laurent Grasso, Rachel\u00a0Sussman,\u00a0Semiconductor, Julie Tremble\u00a0 \u00a0 Commissaire Gentiane B\u00e9langerSurvolAfin de c\u00e9l\u00e9brer ses vingt ans d\u2019existence, la Galerie d\u2019art Foreman inaugure l\u2019ann\u00e9e 2018 avec un projet f\u00e9d\u00e9rateur qui fait \u00e9cho \u00e0 la R\u00e9serve internationale de ciel \u00e9toil\u00e9 du\u202fMont-M\u00e9gantic\u202fainsi qu\u2019aux activit\u00e9s de recherche en astrophysique […]<\/p>\n","protected":false},"author":17,"featured_media":3755,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[33,47],"tags":[132],"class_list":["post-3768","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-anterieures","category-2018-fr","tag-parallax-e-fr"],"acf":[],"yoast_head":"\nParallax-e - 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