{"id":3103,"date":"2019-10-17T20:35:02","date_gmt":"2019-10-18T00:35:02","guid":{"rendered":"https:\/\/foreman.ubishops.ca\/?p=3103"},"modified":"2021-07-30T13:47:03","modified_gmt":"2021-07-30T17:47:03","slug":"videotank-20","status":"publish","type":"post","link":"https:\/\/foreman.ubishops.ca\/fr\/videotank-20\/","title":{"rendered":"VID\u00c9OTANK #20\u202f : SUNSTONE"},"content":{"rendered":"

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VID\u00c9OTANK # 20\u202f: SUNSTONE<\/span><\/span><\/span><\/span><\/h1>\n

Du 17 octobre au 14 d\u00e9cembre 2019<\/span><\/span>\u00a0<\/span><\/span><\/span>\u00a0<\/span><\/h2>\n

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Artistes<\/h2>\n

Filipa C\u00e9sar & Louis Henderson <\/span><\/span><\/h3>\n

(Vid\u00e9o, 35 min., 2018)\u00a0<\/span><\/span><\/h3>\n

\u00a0<\/h2>\n

\u00a0<\/h3>\n

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Sunstone<\/span><\/i>\u00a0suit la trace de lentilles de Fresnel depuis leur site de production jusqu\u2019\u00e0 leur exposition dans un mus\u00e9e de phares et appareils de navigation. Le film parcourt ainsi les divers contextes sociaux dans lesquels l\u2019optique est impliqu\u00e9e, en opposant le syst\u00e8me de commerce triangulaire qui a suivi les premiers d\u00e9barquements europ\u00e9ens dans le \u00ab\u00a0Nouveau Monde\u00a0\u00bb au potentiel politique entrevu dans l\u2019Op art du Cuba postr\u00e9volutionnaire.<\/span>\u00a0<\/span><\/p>\n

Int\u00e9grant des rushes en 16mm, des captures d\u2019\u00e9cran d\u2019ordinateur et des images de synth\u00e8se en 3D,\u00a0<\/span>Sunstone<\/span><\/i>\u00a0trace \u00e9galement la cartographie d\u2019une trajectoire technologique : des m\u00e9thodes historiques de navigation optique aux nouveaux algorithmes de localisation, de la projection singuli\u00e8re aux visions satellitaires multi-perspectives. En inscrivant cette avanc\u00e9e technologique par les mat\u00e9riaux et moyens de production m\u00eames du film,\u00a0<\/span>Sunstone<\/span><\/i>\u00a0cr\u00e9e \u00ab\u00a0un cin\u00e9ma des affects, un cin\u00e9ma de l\u2019exp\u00e9rience \u2013 un Op- film\u00a0\u00bb.<\/span>\u00a0<\/span><\/p>\n

\u00a0<\/span><\/p>\n

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Communiqu\u00e9 de presse<\/a><\/p>\n

[\/et_pb_toggle][\/et_pb_column][\/et_pb_row][et_pb_row admin_label=\u00a0\u00bbArtist(s)\u00a0\u00bb _builder_version=\u00a0\u00bb4.4.2″ collapsed=\u00a0\u00bbon\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4″ _builder_version=\u00a0\u00bb4.4.2″][et_pb_toggle title=\u00a0\u00bbArtistes\u00a0\u00bb open_toggle_text_color=\u00a0\u00bb#000000″ open_toggle_background_color=\u00a0\u00bb#ffffff\u00a0\u00bb closed_toggle_text_color=\u00a0\u00bb#474747″ closed_toggle_background_color=\u00a0\u00bb#ffffff\u00a0\u00bb icon_color=\u00a0\u00bb#8dcb99″ use_icon_font_size=\u00a0\u00bbon\u00a0\u00bb icon_font_size=\u00a0\u00bb30px\u00a0\u00bb admin_label=\u00a0\u00bbArtist(s)\u00a0\u00bb _builder_version=\u00a0\u00bb4.4.5″ title_text_color=\u00a0\u00bb#000000″ title_level=\u00a0\u00bbh6″ title_font=\u00a0\u00bb|300||||||#000000|\u00a0\u00bb title_text_align=\u00a0\u00bbleft\u00a0\u00bb title_font_size=\u00a0\u00bb20px\u00a0\u00bb title_line_height=\u00a0\u00bb1.5em\u00a0\u00bb closed_title_font=\u00a0\u00bb|300|||||||\u00a0\u00bb closed_title_text_align=\u00a0\u00bbleft\u00a0\u00bb closed_title_font_size=\u00a0\u00bb20px\u00a0\u00bb closed_title_line_height=\u00a0\u00bb1.5em\u00a0\u00bb body_font=\u00a0\u00bb||||||||\u00a0\u00bb body_text_align=\u00a0\u00bbleft\u00a0\u00bb body_text_color=\u00a0\u00bb#474747″ body_font_size=\u00a0\u00bb18px\u00a0\u00bb body_line_height=\u00a0\u00bb1.9em\u00a0\u00bb text_orientation=\u00a0\u00bbleft\u00a0\u00bb width=\u00a0\u00bb100%\u00a0\u00bb custom_padding=\u00a0\u00bb25px|15px|10px|0px|false|false\u00a0\u00bb border_color_all=\u00a0\u00bb#ffffff\u00a0\u00bb border_color_bottom=\u00a0\u00bb#000000″ border_width_all__hover_enabled=\u00a0\u00bbon|hover\u00a0\u00bb]<\/p>\n

Filipa<\/span><\/b>\u00a0C\u00e9sar<\/span><\/b>\u00a0est une artiste et r\u00e9alisatrice dont le travail explore la porosit\u00e9 entre les fronti\u00e8res de l’image en mouvement et sa r\u00e9ception, les dimensions fictionnelles du documentaire et l’\u00e9conomie, la politique et la po\u00e9tique, inh\u00e9rents au cin\u00e9ma comme praxis. Une large partie des films exp\u00e9rimentaux de\u00a0<\/span>Filipa<\/span>\u00a0C\u00e9sar se concentrent sur les spectres de la r\u00e9sistance dans l’Histoire\u00a0<\/span>g\u00e9o-politique<\/span>\u00a0du Portugal, en questionnant les m\u00e9canismes de production de l’Histoire et proposent des espaces performatifs d’une approche subjective au savoir.\u00a0<\/span>\u00a0<\/span>\u00a0<\/span><\/p>\n

 <\/p>\n

Louis Henderson<\/span><\/b>\u00a0est un cin\u00e9aste dont le travail \u00e9tudie les liens entre le colonialisme, la technologie, le capitalisme et l’Histoire. Dipl\u00f4m\u00e9 du London\u00a0<\/span>College<\/span>\u00a0of Communication et du\u00a0<\/span>Fresnoy<\/span>-studio des arts contemporains, Henderson termine actuellement un post-dipl\u00f4me avec un groupe exp\u00e9rimental d’art et de recherche \u00e0 l’<\/span>Ecole<\/span>\u00a0europ\u00e9enne des arts visuels. Sa recherche tente de formuler une m\u00e9thode arch\u00e9ologique bas\u00e9e sur la pratique du film et r\u00e9fl\u00e9chissant aux nouvelles mat\u00e9rialit\u00e9s d’Internet et \u00e0 la possibilit\u00e9 d’une r\u00e9sistance techno-animiste au n\u00e9ocolonialisme.<\/span>\u00a0<\/span><\/p>\n

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\u00c9v\u00e9nements<\/h6>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\u00a0\u00bb1_4,3_4″ admin_label=\u00a0\u00bbSoir\u00e9e performance + Futurisme Documentaire\u00a0\u00bb _builder_version=\u00a0\u00bb4.4.5″ custom_margin=\u00a0\u00bb||\u00a0\u00bb custom_padding=\u00a0\u00bb30px|0px|15px|0px|false|true\u00a0\u00bb border_color_all=\u00a0\u00bb#b3b3b3″ border_width_bottom=\u00a0\u00bb1px\u00a0\u00bb collapsed=\u00a0\u00bbon\u00a0\u00bb][et_pb_column type=\u00a0\u00bb1_4″ _builder_version=\u00a0\u00bb4.4.2″ custom_padding=\u00a0\u00bb|||\u00a0\u00bb custom_padding__hover=\u00a0\u00bb|||\u00a0\u00bb][et_pb_text admin_label=\u00a0\u00bbMain info\u00a0\u00bb _builder_version=\u00a0\u00bb4.4.5″ text_text_color=\u00a0\u00bb#474747″ text_font_size=\u00a0\u00bb17px\u00a0\u00bb text_line_height=\u00a0\u00bb1.9em\u00a0\u00bb custom_padding=\u00a0\u00bb|30px|||false|false\u00a0\u00bb]<\/p>\n

Vernissage<\/b><\/div>\n
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[\/et_pb_text][\/et_pb_column][et_pb_column type=\u00a0\u00bb3_4″ _builder_version=\u00a0\u00bb4.4.5″][et_pb_text admin_label=\u00a0\u00bbMain info\u00a0\u00bb _builder_version=\u00a0\u00bb4.4.8″ text_text_color=\u00a0\u00bb#474747″ text_font_size=\u00a0\u00bb17px\u00a0\u00bb text_line_height=\u00a0\u00bb1.9em\u00a0\u00bb custom_padding=\u00a0\u00bb|30px|||false|false\u00a0\u00bb]<\/p>\n

Le jeudi 1<\/span><\/span>6<\/span><\/span>\u00a0<\/span><\/span>janvier 2020<\/span><\/span>\u00a0de 17h \u00e0 19h<\/span><\/span><\/div>\n
\u00a0<\/div>\n
L<\/span><\/span>es\u00a0<\/span><\/span>artiste<\/span><\/span>s<\/span><\/span>\u00a0et l<\/span><\/span>es<\/span><\/span>\u00a0commissaire<\/span><\/span>s<\/span><\/span> discutent de leur travail avec les visiteurs \u00e0<\/span><\/span>\u00a0<\/span><\/span>17h30 l<\/span><\/span>ors<\/span><\/span>\u00a0du vernissage.<\/span><\/span>\u00a0<\/span><\/div>\n
\u00a0<\/span><\/span><\/div>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":"

VID\u00c9OTANK # 20\u202f: SUNSTONE Du 17 octobre au 14 d\u00e9cembre 2019\u00a0\u00a0 Artistes Filipa C\u00e9sar & Louis Henderson (Vid\u00e9o, 35 min., 2018)\u00a0 \u00a0 \u00a0SurvolSunstone\u00a0suit la trace de lentilles de Fresnel depuis leur site de production jusqu\u2019\u00e0 leur exposition dans un mus\u00e9e de phares et appareils de navigation. Le film parcourt ainsi les divers contextes sociaux dans […]<\/p>\n","protected":false},"author":17,"featured_media":1231,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[45,33],"tags":[117],"class_list":["post-3103","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-2019-fr","category-anterieures","tag-videotank-fr"],"acf":[],"yoast_head":"\nVID\u00c9OTANK #20\u202f : SUNSTONE - Foreman Art Gallery<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/foreman.ubishops.ca\/fr\/videotank-20\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"VID\u00c9OTANK #20\u202f : SUNSTONE - Foreman Art Gallery\" \/>\n<meta property=\"og:description\" content=\"VID\u00c9OTANK # 20\u202f: SUNSTONE Du 17 octobre au 14 d\u00e9cembre 2019\u00a0\u00a0 Artistes Filipa C\u00e9sar & Louis Henderson (Vid\u00e9o, 35 min., 2018)\u00a0 \u00a0 \u00a0SurvolSunstone\u00a0suit la trace de lentilles de Fresnel depuis leur site de production jusqu\u2019\u00e0 leur exposition dans un mus\u00e9e de phares et appareils de navigation. 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