{"id":3038,"date":"2020-01-16T11:57:41","date_gmt":"2020-01-16T16:57:41","guid":{"rendered":"https:\/\/foreman.ubishops.ca\/2020\/05\/08\/images-fabuleuses-quand-la-fiction-prend-racine\/"},"modified":"2021-07-30T13:46:21","modified_gmt":"2021-07-30T17:46:21","slug":"images-fabuleuses-quand-la-fiction-prend-racine","status":"publish","type":"post","link":"https:\/\/foreman.ubishops.ca\/fr\/images-fabuleuses-quand-la-fiction-prend-racine\/","title":{"rendered":"Images fabuleuses. Quand la fiction prend racine."},"content":{"rendered":"

[et_pb_section fb_built=\u00a0\u00bb1″ admin_label=\u00a0\u00bbHeader\u00a0\u00bb _builder_version=\u00a0\u00bb4.4.3″ background_color=\u00a0\u00bb#d7ffe0″ collapsed=\u00a0\u00bbon\u00a0\u00bb][et_pb_row make_equal=\u00a0\u00bbon\u00a0\u00bb admin_label=\u00a0\u00bbHeader\u00a0\u00bb _builder_version=\u00a0\u00bb4.4.2″ collapsed=\u00a0\u00bboff\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4″ _builder_version=\u00a0\u00bb4.4.2″][et_pb_button button_text=\u00a0\u00bbRetour aux expositions\u00a0\u00bb button_alignment=\u00a0\u00bbleft\u00a0\u00bb admin_label=\u00a0\u00bbBack to Exhibitions Button\u00a0\u00bb _builder_version=\u00a0\u00bb4.4.3″ custom_button=\u00a0\u00bbon\u00a0\u00bb button_text_size=\u00a0\u00bb18px\u00a0\u00bb button_text_color=\u00a0\u00bb#40bf5b\u00a0\u00bb button_border_width=\u00a0\u00bb0px\u00a0\u00bb button_border_color=\u00a0\u00bb#40bf5b\u00a0\u00bb button_border_radius=\u00a0\u00bb0px\u00a0\u00bb button_font=\u00a0\u00bb||||||||\u00a0\u00bb button_icon=\u00a0\u00bb%%19%%\u00a0\u00bb button_icon_color=\u00a0\u00bb#40bf5b\u00a0\u00bb button_icon_placement=\u00a0\u00bbleft\u00a0\u00bb button_on_hover=\u00a0\u00bboff\u00a0\u00bb custom_margin=\u00a0\u00bb0px||0px||false|false\u00a0\u00bb custom_padding=\u00a0\u00bb0px||0px||true|false\u00a0\u00bb][\/et_pb_button][et_pb_text admin_label=\u00a0\u00bbExhibition Title\u00a0\u00bb _builder_version=\u00a0\u00bb4.4.3″ text_font=\u00a0\u00bb||||||||\u00a0\u00bb text_text_color=\u00a0\u00bb#474747″ text_font_size=\u00a0\u00bb18px\u00a0\u00bb text_line_height=\u00a0\u00bb2em\u00a0\u00bb header_font=\u00a0\u00bb|600|||||||\u00a0\u00bb header_font_size=\u00a0\u00bb36px\u00a0\u00bb header_line_height=\u00a0\u00bb1.5em\u00a0\u00bb header_2_font=\u00a0\u00bb|600|||||||\u00a0\u00bb header_2_font_size=\u00a0\u00bb20px\u00a0\u00bb header_2_line_height=\u00a0\u00bb1.5em\u00a0\u00bb header_3_font=\u00a0\u00bb|300|||||||\u00a0\u00bb header_3_font_size=\u00a0\u00bb20px\u00a0\u00bb header_3_line_height=\u00a0\u00bb2em\u00a0\u00bb header_6_font=\u00a0\u00bb||||||||\u00a0\u00bb header_6_font_size=\u00a0\u00bb18px\u00a0\u00bb custom_padding=\u00a0\u00bb40px||40px||true|false\u00a0\u00bb custom_padding_tablet=\u00a0\u00bb\u00a0\u00bb custom_padding_phone=\u00a0\u00bb\u00a0\u00bb custom_padding_last_edited=\u00a0\u00bbon|desktop\u00a0\u00bb]<\/p>\n

Images fabuleuses. Quand la fiction prend racine.<\/span><\/span><\/h1>\n

Du 16<\/span><\/span>\u00a0<\/span><\/span>janvier<\/span><\/span>\u00a0au\u00a0<\/span><\/span>21<\/span><\/span>\u00a0<\/span><\/span>mars<\/span><\/span>\u00a0<\/span><\/span>2020<\/span><\/span>\u00a0<\/span><\/h2>\n

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[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=\u00a0\u00bb1″ admin_label=\u00a0\u00bbOverview\u00a0\u00bb _builder_version=\u00a0\u00bb4.4.3″ custom_margin=\u00a0\u00bb0px||||false|false\u00a0\u00bb collapsed=\u00a0\u00bbon\u00a0\u00bb][et_pb_row admin_label=\u00a0\u00bbOverview Title\u00a0\u00bb _builder_version=\u00a0\u00bb4.4.3″ collapsed=\u00a0\u00bbon\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4″ _builder_version=\u00a0\u00bb4.4.2″][et_pb_gallery gallery_ids=\u00a0\u00bb2333,4104,2329,4107,2331″ fullwidth=\u00a0\u00bbon\u00a0\u00bb admin_label=\u00a0\u00bbMain Images\u00a0\u00bb _builder_version=\u00a0\u00bb4.6.1″ title_text_align=\u00a0\u00bbcenter\u00a0\u00bb caption_text_align=\u00a0\u00bbleft\u00a0\u00bb background_color=\u00a0\u00bbrgba(0,0,0,0)\u00a0\u00bb position_origin_a=\u00a0\u00bbcenter_center\u00a0\u00bb text_orientation=\u00a0\u00bbleft\u00a0\u00bb width=\u00a0\u00bb100%\u00a0\u00bb module_alignment=\u00a0\u00bbcenter\u00a0\u00bb][\/et_pb_gallery][et_pb_text admin_label=\u00a0\u00bbMain Info\u00a0\u00bb _builder_version=\u00a0\u00bb4.4.3″ text_font=\u00a0\u00bb||||||||\u00a0\u00bb text_text_color=\u00a0\u00bb#474747″ text_font_size=\u00a0\u00bb18px\u00a0\u00bb text_line_height=\u00a0\u00bb2em\u00a0\u00bb header_font=\u00a0\u00bb|600|||||||\u00a0\u00bb header_text_color=\u00a0\u00bb#474747″ header_font_size=\u00a0\u00bb36px\u00a0\u00bb header_line_height=\u00a0\u00bb2em\u00a0\u00bb header_2_font=\u00a0\u00bb||||||||solid\u00a0\u00bb header_2_text_color=\u00a0\u00bb#474747″ header_2_font_size=\u00a0\u00bb20px\u00a0\u00bb header_2_line_height=\u00a0\u00bb0.5em\u00a0\u00bb header_3_font=\u00a0\u00bb|300|||||||\u00a0\u00bb header_3_text_color=\u00a0\u00bb#474747″ header_3_font_size=\u00a0\u00bb20px\u00a0\u00bb header_6_font=\u00a0\u00bb||||||||\u00a0\u00bb header_6_text_color=\u00a0\u00bb#474747″ header_6_font_size=\u00a0\u00bb18px\u00a0\u00bb background_enable_color=\u00a0\u00bboff\u00a0\u00bb custom_margin=\u00a0\u00bb50px||50px||true|false\u00a0\u00bb custom_padding=\u00a0\u00bb10px||||false|false\u00a0\u00bb border_radii=\u00a0\u00bboff||||\u00a0\u00bb border_color_all=\u00a0\u00bb#d7ffe0″]<\/p>\n

Artistes<\/h2>\n

Sonny Assu, Danis Goulet, <\/span><\/span>The <\/span><\/span>Iyapo<\/span><\/span>\u00a0<\/span><\/span>Repository<\/span><\/span>,\u00a0 <\/span><\/span>Larissa\u00a0<\/span><\/span>Sansour<\/span><\/span> & S\u00f8ren <\/span><\/span>Lind<\/span><\/span>,<\/span><\/span> and <\/span><\/span>Skawennati<\/span><\/span>\u00a0<\/span><\/span><\/h3>\n

<\/h2>\n

Vernissage<\/h2>\n

Le jeudi 1<\/span><\/span>6<\/span><\/span>\u00a0<\/span><\/span>janvier 2020<\/span><\/span>\u00a0de 17h \u00e0 19h\u00a0<\/span><\/span><\/h3>\n

<\/h2>\n

Commissaires<\/h2>\n

Gentiane B\u00e9langer & Alexandra Tourigny-Fleury<\/h3>\n

[\/et_pb_text][et_pb_text admin_label=\u00a0\u00bbEvents Title\u00a0\u00bb _builder_version=\u00a0\u00bb4.6.1″ text_text_color=\u00a0\u00bb#000000″ text_font_size=\u00a0\u00bb20px\u00a0\u00bb header_6_font=\u00a0\u00bb|300|||||||\u00a0\u00bb header_6_font_size=\u00a0\u00bb20px\u00a0\u00bb custom_padding=\u00a0\u00bb10px||0px||false|false\u00a0\u00bb border_width_bottom=\u00a0\u00bb1px\u00a0\u00bb]<\/p>\n

Survol<\/h6>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\u00a0\u00bb1_4,3_4″ admin_label=\u00a0\u00bbOverview Text\u00a0\u00bb _builder_version=\u00a0\u00bb4.4.2″ custom_padding=\u00a0\u00bb0px||0px||true|false\u00a0\u00bb collapsed=\u00a0\u00bbon\u00a0\u00bb][et_pb_column type=\u00a0\u00bb1_4″ _builder_version=\u00a0\u00bb4.4.2″ custom_padding=\u00a0\u00bb|||\u00a0\u00bb custom_padding__hover=\u00a0\u00bb|||\u00a0\u00bb][\/et_pb_column][et_pb_column type=\u00a0\u00bb3_4″ _builder_version=\u00a0\u00bb4.4.2″ custom_padding=\u00a0\u00bb|||\u00a0\u00bb custom_padding__hover=\u00a0\u00bb|||\u00a0\u00bb][et_pb_text admin_label=\u00a0\u00bbExhibition Overview Text\u00a0\u00bb _builder_version=\u00a0\u00bb4.4.3″ text_font=\u00a0\u00bb||||||||\u00a0\u00bb text_text_color=\u00a0\u00bb#474747″ text_font_size=\u00a0\u00bb18px\u00a0\u00bb text_line_height=\u00a0\u00bb1.9em\u00a0\u00bb background_enable_image=\u00a0\u00bboff\u00a0\u00bb background_position=\u00a0\u00bbtop_left\u00a0\u00bb]Pr\u00e9sent\u00e9e en collaboration avec le centre en art actuel\u00a0<\/span>Sporobole<\/span>\u00a0et r\u00e9partie en deux lieux,\u00a0<\/span><\/span>Images fabuleuses<\/span><\/span>\u00a0se penche sur la port\u00e9e herm\u00e9neutique de la science-fiction comme genre narratif, dans le cadre de discours \u00e9mancipateurs et favorisant la diversit\u00e9 ethnoculturelle. Cette exposition rassemble des \u0153uvres d\u2019artistes canadiens et internationaux, des romans, des affiches, des films populaires, des jeux vid\u00e9o et des objets de collection, tous situ\u00e9s au croisement de la science-fiction et de la politique identitaire. Traversant un vaste horizon repr\u00e9sentationnel, allant du refuge utopique aux plus sombres dystopies en passant par les r\u00e9cits uchroniques et les sp\u00e9culations sociales, cette exposition examine les mani\u00e8res dont la fiction trace les chemins de possibilit\u00e9s d\u2019existences alternatives.<\/span><\/span>\u00a0<\/span><\/p>\n

Une production de la Galerie d\u2019art Foreman avec l\u2019appui du Conseil des arts du Canada, la Ville de Sherbrooke ainsi que le Conseil des arts et des lettres du Qu\u00e9bec.<\/span><\/i>\u00a0<\/span><\/p>\n

\u00a0<\/span>La Galerie d\u2019art<\/span><\/i>\u00a0Foreman remercie les artistes\u00a0<\/span><\/i>et le Centre en art actuel\u00a0Sporobole\u00a0pour leur collaboration.<\/span><\/i>\u00a0<\/span>[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row admin_label=\u00a0\u00bbAdditional Info\u00a0\u00bb _builder_version=\u00a0\u00bb4.4.2″ collapsed=\u00a0\u00bbon\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4″ _builder_version=\u00a0\u00bb4.4.2″][et_pb_toggle title=\u00a0\u00bbDocumentation \u00a0\u00bb open_toggle_text_color=\u00a0\u00bb#000000″ open_toggle_background_color=\u00a0\u00bb#ffffff\u00a0\u00bb closed_toggle_text_color=\u00a0\u00bb#474747″ closed_toggle_background_color=\u00a0\u00bb#ffffff\u00a0\u00bb icon_color=\u00a0\u00bb#8dcb99″ use_icon_font_size=\u00a0\u00bbon\u00a0\u00bb icon_font_size=\u00a0\u00bb30px\u00a0\u00bb admin_label=\u00a0\u00bbDocumentation\u00a0\u00bb _builder_version=\u00a0\u00bb4.6.1″ title_text_color=\u00a0\u00bb#000000″ title_level=\u00a0\u00bbh6″ title_font=\u00a0\u00bb|300||||||#000000|\u00a0\u00bb title_text_align=\u00a0\u00bbleft\u00a0\u00bb title_font_size=\u00a0\u00bb20px\u00a0\u00bb title_line_height=\u00a0\u00bb1.5em\u00a0\u00bb closed_title_font=\u00a0\u00bb|300|||||||\u00a0\u00bb closed_title_text_align=\u00a0\u00bbleft\u00a0\u00bb closed_title_font_size=\u00a0\u00bb20px\u00a0\u00bb closed_title_line_height=\u00a0\u00bb1.5em\u00a0\u00bb body_font=\u00a0\u00bb||||||||\u00a0\u00bb body_text_align=\u00a0\u00bbleft\u00a0\u00bb body_font_size=\u00a0\u00bb18px\u00a0\u00bb body_line_height=\u00a0\u00bb2em\u00a0\u00bb text_orientation=\u00a0\u00bbleft\u00a0\u00bb width=\u00a0\u00bb100%\u00a0\u00bb custom_padding=\u00a0\u00bb25px|15px|10px|0px|false|false\u00a0\u00bb border_color_all=\u00a0\u00bb#ffffff\u00a0\u00bb border_color_bottom=\u00a0\u00bb#000000″ border_width_all__hover_enabled=\u00a0\u00bbon|hover\u00a0\u00bb]<\/p>\n

Communiqu\u00e9 de presse<\/a><\/p>\n

Brochure d’exposition<\/a><\/p>\n

[\/et_pb_toggle][\/et_pb_column][\/et_pb_row][et_pb_row admin_label=\u00a0\u00bbArtist(s)\u00a0\u00bb _builder_version=\u00a0\u00bb4.4.2″ collapsed=\u00a0\u00bbon\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4″ _builder_version=\u00a0\u00bb4.4.2″][et_pb_toggle title=\u00a0\u00bbArtistes\u00a0\u00bb open_toggle_text_color=\u00a0\u00bb#000000″ open_toggle_background_color=\u00a0\u00bb#ffffff\u00a0\u00bb closed_toggle_text_color=\u00a0\u00bb#474747″ closed_toggle_background_color=\u00a0\u00bb#ffffff\u00a0\u00bb icon_color=\u00a0\u00bb#8dcb99″ use_icon_font_size=\u00a0\u00bbon\u00a0\u00bb icon_font_size=\u00a0\u00bb30px\u00a0\u00bb admin_label=\u00a0\u00bbArtist(s)\u00a0\u00bb _builder_version=\u00a0\u00bb4.4.8″ title_text_color=\u00a0\u00bb#000000″ title_level=\u00a0\u00bbh6″ title_font=\u00a0\u00bb|300||||||#000000|\u00a0\u00bb title_text_align=\u00a0\u00bbleft\u00a0\u00bb title_font_size=\u00a0\u00bb20px\u00a0\u00bb title_line_height=\u00a0\u00bb1.5em\u00a0\u00bb closed_title_font=\u00a0\u00bb|300|||||||\u00a0\u00bb closed_title_text_align=\u00a0\u00bbleft\u00a0\u00bb closed_title_font_size=\u00a0\u00bb20px\u00a0\u00bb closed_title_line_height=\u00a0\u00bb1.5em\u00a0\u00bb body_font=\u00a0\u00bb||||||||\u00a0\u00bb body_text_align=\u00a0\u00bbleft\u00a0\u00bb body_text_color=\u00a0\u00bb#474747″ body_font_size=\u00a0\u00bb18px\u00a0\u00bb body_line_height=\u00a0\u00bb1.9em\u00a0\u00bb text_orientation=\u00a0\u00bbleft\u00a0\u00bb width=\u00a0\u00bb100%\u00a0\u00bb custom_padding=\u00a0\u00bb25px|15px|10px|0px|false|false\u00a0\u00bb border_color_all=\u00a0\u00bb#ffffff\u00a0\u00bb border_color_bottom=\u00a0\u00bb#000000″ border_width_all__hover_enabled=\u00a0\u00bbon|hover\u00a0\u00bb]Iyapo\u00a0Repository<\/span><\/b>\u00a0est une biblioth\u00e8que de ressources qui abrite des artefacts num\u00e9riques et physiques, con\u00e7ue pour affirmer et projeter l\u2019avenir des personnes d\u2019origine africaine. Ses collections sp\u00e9ciales et ses archives\u00a0<\/span>contiennent des manuscrits, des films, des dessins, des m\u00e9dias rares, et plus encore.\u00a0<\/span>Iyapo\u00a0Repository<\/span><\/b>\u00a0se veut un moyen de pr\u00e9server les histoires et l\u2019h\u00e9ritage num\u00e9riques des personnes d\u2019origine africaine, en offrant \u00e0 celles-ci la possibilit\u00e9 de cr\u00e9er les artefacts technoculturels\u202fde leur futur.\u00a0<\/span>\u00a0<\/span><\/p>\n

Dans son art,<\/span>\u00a0Skawennati<\/span><\/b>\u00a0aborde l\u2019histoire, l\u2019avenir et le changement, du point de vue d\u2019une urbaine\u00a0Kanien\u2019keh\u00e1:ka\u00a0et d\u2019un avatar cyberpunk. Son adoption pr\u00e9coce du cyberespace dans sa pratique, \u00e0 la fois comme lieu et comme m\u00e9dium, a men\u00e9 \u00e0 des projets novateurs tels que\u00a0CyberPowWow\u00a0et\u00a0TimeTraveller<\/span>TM<\/span>. On la conna\u00eet surtout pour ses\u00a0machinimas\u00a0\u2013 des films r\u00e9alis\u00e9s dans des environnements virtuels \u2013 mais elle produit aussi des images fixes, des textiles et des sculptures.<\/span>\u00a0<\/span>N\u00e9e \u00e0\u00a0Kahnawake\u00a0en territoire mohawk,\u00a0<\/span>Skawennati<\/span><\/b>\u00a0appartient au clan de la tortue. Elle d\u00e9tient un baccalaur\u00e9at en beaux-arts de l\u2019Universit\u00e9 Concordia \u00e0 Montr\u00e9al, o\u00f9 elle vit. Elle est la codirectrice, avec Jason Edward Lewis, d\u2019Aboriginal\u00a0Territories\u00a0in Cyberspace (AbTeC), un groupe de recherche-cr\u00e9ation compos\u00e9 d\u2019artistes, d\u2019universitaires et de technologues vou\u00e9 \u00e0 l\u2019exploration, \u00e0 la cr\u00e9ation et \u00e0 la critique d\u2019environnements virtuels autochtones. Elle codirige \u00e9galement les ateliers Skins sur le conte autochtone dans les m\u00e9dias num\u00e9riques, qui visent \u00e0 donner aux jeunes Autochtones les moyens de produire, et non seulement de consommer, des jeux vid\u00e9o et des \u0153uvres m\u00e9diatiques connexes. En 2015,\u00a0AbTeC\u00a0a lanc\u00e9 l\u2019IIF, l\u2019Initiative pour l\u2019avenir autochtone.<\/span>\u00a0<\/span>Ses \u0153uvres ont \u00e9t\u00e9 pr\u00e9sent\u00e9es en Europe, en Nouvelle-Z\u00e9lande, \u00e0 Hawa\u00ef, en Chine et \u00e0 travers l\u2019Am\u00e9rique du Nord dans le cadre d\u2019expositions majeures, notamment\u202f: \u00ab\u202fUchronia\u00a0I\u00a0What\u00a0if?\u202f\u00bb, dans l\u2019HyperPavilion\u00a0de la 57<\/span>e<\/span>\u00a0Biennale de Venise; \u00e0 la Biennale B3 de l\u2019image en mouvement \u00e0 Francfort; \u00ab\u202fNow?\u00a0Now!\u202f\u00bb \u00e0 la Biennale des Am\u00e9riques; et \u00ab\u202fL\u2019avenir (looking\u00a0forward)\u202f\u00bb \u00e0 la Biennale de Montr\u00e9al. Elles font partie des collections du Mus\u00e9e des beaux-arts du Canada, de la Banque Nationale du Canada et du Mus\u00e9e d\u2019art contemporain de Montr\u00e9al, entre autres.\u00a0<\/span>\u00a0<\/span><\/p>\n

Sonny\u00a0Assu<\/span><\/b>\u00a0(Ligwilda\u02bcxw\u00a0du peuple\u00a0Kwakwaka\u2019wakw) a grandi \u00e0 North Delta, en Colombie-Britannique, \u00e0 plus de 250 km de son territoire ancestral sur l\u2019\u00eele de Vancouver. \u00c9lev\u00e9 en banlieusard moyen, ce n\u2019est qu\u2019\u00e0 l\u2019\u00e2ge de huit ans qu\u2019il d\u00e9couvre son h\u00e9ritage\u00a0Ligwilda\u02bcxw\/Kwakwaka\u2019wakw, r\u00e9v\u00e9lation qui, quelques ann\u00e9es plus tard, deviendra le point de d\u00e9part conceptuel d\u2019une pratique artistique singuli\u00e8re. La production d\u2019Assu\u00a0est diversifi\u00e9e\u202f: dans ses peintures, sculptures, photographies, \u0153uvres num\u00e9riques et gravures, il aborde les principes de cr\u00e9ation artistique occidentaux et\u00a0kwakwaka\u2019wakw\u00a0comme moyens d\u2019explorer son histoire familiale et l\u2019exp\u00e9rience d\u2019\u00eatre Autochtone dans l\u2019\u00c9tat colonial du Canada.<\/span>\u00a0<\/span>Sonny\u00a0Assu<\/span><\/b>\u00a0a obtenu un baccalaur\u00e9at en beaux-arts de l\u2019<\/span>Universit\u00e9 d\u2019art et de design Emily-Carr en 2002,<\/span>\u00a0institution qui lui d\u00e9cernera quatre ans plus tard le prix des anciens \u00e9l\u00e8ves \u00e9m\u00e9rites. Il a re\u00e7u le prix BC Creative\u00a0Achievement\u00a0Award\u00a0in First Nations Art en 2011 et a \u00e9t\u00e9 trois fois en lice pour le prix\u00a0Sobey. En 2017, il a termin\u00e9 une ma\u00eetrise en beaux-arts de l\u2019Universit\u00e9 Concordia et a fait partie des laur\u00e9ats de REVEAL \u2013 Prix en art autochtone. On trouve ses \u0153uvres dans les collections du Mus\u00e9e des beaux-arts du Canada, du Seattle Art Museum, de la Vancouver Art\u00a0Gallery, du Mus\u00e9e d\u2019anthropologie de l\u2019Universit\u00e9 de la Colombie-Britannique, du Burke Museum\u00a0<\/span>de l\u2019Universit\u00e9 de Washington, de l\u2019Art\u00a0Gallery\u00a0of\u00a0Greater\u00a0Victoria, d\u2019Hydro-Qu\u00e9bec, de Loto-Qu\u00e9bec et de plusieurs autres collections publiques et priv\u00e9es au Canada, aux \u00c9tats-Unis et au Royaume-Uni.<\/span>\u00a0<\/span><\/p>\n

N\u00e9e en 1973 \u00e0 J\u00e9rusalem-Est,<\/span>\u00a0<\/span><\/b>en Palestine,\u00a0<\/span>Larissa\u00a0Sansour<\/span><\/b>\u00a0a \u00e9tudi\u00e9 les beaux-arts \u00e0 Londres, New York et Copenhague. Immerg\u00e9 dans le dialogue politique actuel, tiraill\u00e9 en son c\u0153ur entre fiction et r\u00e9alit\u00e9, le travail interdisciplinaire de\u00a0<\/span>Sansour<\/span><\/b>\u00a0utilise la vid\u00e9o, la photographie, l\u2019installation, le livre et Internet.<\/span>\u00a0<\/span>Elle a repr\u00e9sent\u00e9 le Danemark \u00e0 la 58<\/span>e<\/span>\u00a0Biennale de Venise et a r\u00e9cemment eu des expositions personnelles dans les lieux suivants\u202f:\u00a0<\/span>Turun\u00a0taidemuseo<\/span>, Turku;\u00a0Fotografisk\u00a0Center, Copenhague; Galerie Anne de\u00a0Villepoix, Paris;\u00a0Kulturhuset, Stockholm; Lawrie\u00a0Shabibi, Duba\u00ef; Sabrina Amrani, Madrid et DEPO, Istanbul.<\/span>\u00a0<\/span>Les \u0153uvres de\u00a0Sansour\u00a0ont \u00e9t\u00e9 pr\u00e9sent\u00e9es dans les biennales d\u2019Istanbul, de Busan et de Liverpool. Elle a notamment expos\u00e9 dans les lieux suivants\u202f: Tate Modern, Londres; Centre Pompidou, Paris; LOOP, S\u00e9oul, Al\u00a0Hoash, J\u00e9rusalem; Reina Sofia, Madrid;\u00a0Australian\u00a0Centre for\u00a0Photography, Sydney;\u00a0Cornerhouse, Manchester;\u00a0Townhouse, Le Caire;\u00a0Maraya\u00a0Art Centre,\u00a0Charjah; The\u00a0Empty\u00a0Quarter, Duba\u00ef; Jeu de Paume, Paris;\u00a0Iniva, Londres; Institut du monde arabe, Paris; troisi\u00e8me triennale de Guangzhou;\u00a0Louisiana\u00a0Museum of\u00a0Contemporary\u00a0Art, Copenhague;\u00a0Haus\u00a0der\u00a0Kulturen\u00a0der\u00a0Welt, Berlin, et MOCA, Hiroshima.<\/span>\u00a0<\/span>Sansour<\/span><\/b>\u00a0vit et travaille \u00e0 Londres.<\/span>\u00a0<\/span><\/p>\n

S\u00f8ren Lind<\/span><\/b>\u00a0est un auteur danois. Form\u00e9 en philosophie,\u00a0<\/span>Lind<\/span><\/b>\u00a0a publi\u00e9 des ouvrages sur l\u2019esprit, le langage et l\u2019interpr\u00e9tation, avant de se tourner vers la fiction. On lui doit un roman et deux recueils de nouvelles ainsi que quatre livres pour enfants. En plus de sa production litt\u00e9raire, Lind est artiste visuel, r\u00e9alisateur et sc\u00e9nariste. R\u00e9cemment, son travail a \u00e9t\u00e9 pr\u00e9sent\u00e9 au\u00a0MoMA, au Barbican, au Nikolaj\u00a0Kunsthal, \u00e0 la Berlinale, au Festival international du film de Rotterdam, au Festival du film de Londres et au Studio Museum in Harlem. Il vit et travaille \u00e0 Londres.<\/span>\u00a0<\/span><\/p>\n

Danis Goulet<\/span><\/b>\u00a0est une \u00e9crivaine et r\u00e9alisatrice crie\/m\u00e9tisse. Ses courts m\u00e9trages prim\u00e9s ont \u00e9t\u00e9 pr\u00e9sent\u00e9s dans des festivals du monde entier, dont le Festival international du film de Berlin, le Festival du film de Sundance, le Festival international du film de Toronto (TIFF), le\u00a0MoMA,\u00a0imagineNATIVE\u00a0et l\u2019Aspen\u00a0Shortsfest. Elle a \u00e9t\u00e9 directrice g\u00e9n\u00e9rale et artistique du festival\u00a0imagineNATIVE\u00a0Film + Media Arts, et s\u2019occupe actuellement de la programmation des longs m\u00e9trages canadiens pour le TIFF. Elle est \u00e9galement conseill\u00e8re pour le Groupe de travail autochtone de T\u00e9l\u00e9film Canada, membre du cercle consultatif de l\u2019Indigenous\u00a0Screen Office, et a r\u00e9cemment \u00e9t\u00e9 invit\u00e9e \u00e0 devenir membre de l\u2019Academy\u00a0of Motion Picture Arts and Sciences (AMPAS). Son sc\u00e9nario de long m\u00e9trage Night Raiders a re\u00e7u une aide au d\u00e9veloppement du Sundance Institute et a \u00e9t\u00e9 s\u00e9lectionn\u00e9 pour le Forum de financement international du TIFF 2018. Originaire de la Saskatchewan,\u00a0<\/span>Danis Goulet<\/span><\/b>\u00a0vit \u00e0 Toronto.<\/span>\u00a0<\/span>[\/et_pb_toggle][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=\u00a0\u00bb1″ admin_label=\u00a0\u00bbEvents\u00a0\u00bb _builder_version=\u00a0\u00bb4.4.2″ collapsed=\u00a0\u00bboff\u00a0\u00bb][et_pb_row admin_label=\u00a0\u00bbEvents Title\u00a0\u00bb _builder_version=\u00a0\u00bb4.4.3″ custom_margin=\u00a0\u00bb20px||||false|false\u00a0\u00bb collapsed=\u00a0\u00bbon\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4″ _builder_version=\u00a0\u00bb4.4.2″][et_pb_text admin_label=\u00a0\u00bbEvents Title\u00a0\u00bb _builder_version=\u00a0\u00bb4.4.2″ text_text_color=\u00a0\u00bb#000000″ text_font_size=\u00a0\u00bb20px\u00a0\u00bb header_6_font=\u00a0\u00bb|300|||||||\u00a0\u00bb header_6_font_size=\u00a0\u00bb20px\u00a0\u00bb custom_padding=\u00a0\u00bb10px||0px||false|false\u00a0\u00bb border_width_bottom=\u00a0\u00bb1px\u00a0\u00bb]<\/p>\n

\u00c9v\u00e9nements<\/h6>\n

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Soir\u00e9e performance + Futurisme Documentaire<\/span><\/span><\/strong><\/div>\n

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La Galerie d\u2019art\u00a0<\/span><\/span>Foreman<\/span><\/span>\u00a0et le Centre en art actuel\u00a0<\/span><\/span>Sporobole<\/span><\/span>\u00a0vous convient \u00e0 une soir\u00e9e de performance, suivie d\u2019une programmation de courts m\u00e9t<\/span><\/span>rages pr\u00e9sent\u00e9s \u00e0 La Maison du C<\/span><\/span>in\u00e9ma.\u00a0<\/span><\/span>\u00a0<\/span><\/p>\n

Cliquez ici pour plus d’information.[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\u00a0\u00bb1_4,3_4″ admin_label=\u00a0\u00bbSoir\u00e9e performance + Futurisme Documentaire\u00a0\u00bb _builder_version=\u00a0\u00bb4.4.5″ custom_margin=\u00a0\u00bb||\u00a0\u00bb custom_padding=\u00a0\u00bb30px|0px|15px|0px|false|true\u00a0\u00bb border_color_all=\u00a0\u00bb#b3b3b3″ border_width_bottom=\u00a0\u00bb1px\u00a0\u00bb collapsed=\u00a0\u00bbon\u00a0\u00bb][et_pb_column type=\u00a0\u00bb1_4″ _builder_version=\u00a0\u00bb4.4.2″ custom_padding=\u00a0\u00bb|||\u00a0\u00bb custom_padding__hover=\u00a0\u00bb|||\u00a0\u00bb][et_pb_text admin_label=\u00a0\u00bbMain info\u00a0\u00bb _builder_version=\u00a0\u00bb4.4.5″ text_text_color=\u00a0\u00bb#474747″ text_font_size=\u00a0\u00bb17px\u00a0\u00bb text_line_height=\u00a0\u00bb1.9em\u00a0\u00bb custom_padding=\u00a0\u00bb|30px|||false|false\u00a0\u00bb]<\/p>\n

Vernissage<\/b><\/div>\n
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Le jeudi 1<\/span><\/span>6<\/span><\/span>\u00a0<\/span><\/span>janvier 2020<\/span><\/span>\u00a0de 17h \u00e0 19h<\/span><\/span><\/div>\n
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L<\/span><\/span>es\u00a0<\/span><\/span>artiste<\/span><\/span>s<\/span><\/span>\u00a0et l<\/span><\/span>es<\/span><\/span>\u00a0commissaire<\/span><\/span>s<\/span><\/span> discutent de leur travail avec les visiteurs \u00e0<\/span><\/span>\u00a0<\/span><\/span>17h30 l<\/span><\/span>ors<\/span><\/span>\u00a0du vernissage.<\/span><\/span>\u00a0<\/span><\/div>\n
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