{"id":22053,"date":"2025-08-20T13:54:05","date_gmt":"2025-08-20T17:54:05","guid":{"rendered":"https:\/\/foreman.ubishops.ca\/?p=22053"},"modified":"2026-04-09T11:34:37","modified_gmt":"2026-04-09T15:34:37","slug":"faire-semblant-pour-de-vrai-la-famille-plouffe","status":"publish","type":"post","link":"https:\/\/foreman.ubishops.ca\/fr\/faire-semblant-pour-de-vrai-la-famille-plouffe\/","title":{"rendered":"Faire semblant pour de vrai – La Famille Plouffe"},"content":{"rendered":"

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NOUVEAUX PUBLICS<\/p>\n

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Faire semblant pour de vrai (titre de travail)<\/h1>\n

24 avril \u2013 4 juillet 2026<\/span><\/h2>\n

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Artistes<\/h2>\n

La Famille Plouffe (Guillaume Boudrias-Plouffe, \u00c9milie Levert, Emeline, L\u00e9o et Z\u00e9phir Plouffe)<\/h3>\n

 <\/p>\n

Commissaires<\/h2>\n

Gentiane B\u00e9langer & Camila V\u00e1squez<\/h3>\n

[\/et_pb_text][et_pb_button url_new_window=\u00a0\u00bbon\u00a0\u00bb button_text=\u00a0\u00bbVernissage: Vendredi 24 avril 2026 | 17h – 19h\u00a0\u00bb disabled_on=\u00a0\u00bboff|off|off\u00a0\u00bb _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb custom_margin=\u00a0\u00bb||48px|||\u00a0\u00bb hover_enabled=\u00a0\u00bb0″ locked=\u00a0\u00bboff\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb sticky_enabled=\u00a0\u00bb0″][\/et_pb_button][et_pb_text admin_label=\u00a0\u00bbEvents Title\u00a0\u00bb _builder_version=\u00a0\u00bb4.27.4″ text_text_color=\u00a0\u00bb#000000″ text_font_size=\u00a0\u00bb20px\u00a0\u00bb header_2_font=\u00a0\u00bb|300|||||||\u00a0\u00bb header_2_font_size=\u00a0\u00bb20px\u00a0\u00bb header_6_font=\u00a0\u00bb|300|||||||\u00a0\u00bb header_6_font_size=\u00a0\u00bb20px\u00a0\u00bb custom_padding=\u00a0\u00bb10px||0px||false|false\u00a0\u00bb border_width_bottom=\u00a0\u00bb1px\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]<\/p>\n

Survol<\/h2>\n

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Faire semblant pour de vrai (titre de travail)<\/em> explore les coulisses de l\u2019art public \u00e0 travers une installation immersive m\u00ealant maquettes, mod\u00e9lisations, archives fictives et performances sc\u00e9naris\u00e9es. L\u2019exposition donne \u00e0 voir \u2013 et \u00e0 vivre \u2013 les rouages d\u2019un syst\u00e8me aussi norm\u00e9 que myst\u00e9rieux : celui des pr\u00e9sentations de maquettes devant jury dans le cadre des concours d\u2019art public au Qu\u00e9bec.<\/p>\n

Depuis pr\u00e8s de dix ans, La Famille Plouffe con\u00e7oit des \u0153uvres publiques int\u00e9gr\u00e9es \u00e0 des lieux et des communaut\u00e9s partout au Qu\u00e9bec. Pourtant, pour chaque \u0153uvre r\u00e9alis\u00e9e, plusieurs propositions, souvent ambitieuses et intimement li\u00e9es \u00e0 leur contexte, demeurent invisibles. Cette exposition agit comme une arch\u00e9ologie vivante de ces projets non retenus : ils sont reconstitu\u00e9s, remix\u00e9s, exag\u00e9r\u00e9s \u2014 comme s\u2019il s\u2019agissait de leur offrir une autre forme d\u2019existence, f\u00fbt-ce sous les projecteurs d\u2019un \u00ab th\u00e9\u00e2tre d\u2019ombres \u00bb.<\/p>\n

Dans une ambiance de docufiction performative et de vernacularium augment\u00e9, l\u2019exposition se structure comme une maquette agrandie d\u2019une pr\u00e9sentation de maquette, avec tous les \u00e9l\u00e9ments rituels du genre : mod\u00e9lisations 3D projet\u00e9es, \u00e9chantillons de mat\u00e9riaux, documents imprim\u00e9s (pr\u00e9ambule, inspirations, devis d\u2019entretien, \u00e9ch\u00e9ancier, etc.), maquettes physiques, extraits sonores d’entrevues et personnages t\u00e9moins imprim\u00e9s en 3D.<\/p>\n

La proposition prend pour point d\u2019ancrage un projet sp\u00e9culatif : celui d\u2019une \u0153uvre d\u2019art public imagin\u00e9e pour l\u2019ext\u00e9rieur m\u00eame de la Galerie d\u2019art Foreman, mais transpos\u00e9e \u00e0 l\u2019int\u00e9rieur sans compromis d\u2019\u00e9chelle, d\u00e9bordant les murs et les conventions. L\u2019\u0153uvre, fictive ou non, s\u2019inspire de Rita Tinker, arri\u00e8re-grand-m\u00e8re des enfants de La Famille Plouffe et membre d\u2019un club de raquetteurs \u00e0 Sherbrooke. Elle entre en dialogue avec le film Les Raquetteurs (Brault et Groulx), pr\u00e9curseur du cin\u00e9ma direct tourn\u00e9 dans cette m\u00eame ville. Une fausse commande pour une vraie galerie ; une vraie proposition pour une \u0153uvre qui n\u2019existe peut-\u00eatre pas encore. Une mise en abyme o\u00f9 l\u2019on ne sait plus ce qui est jou\u00e9 ou sinc\u00e8re, fictif ou documentaire.<\/p>\n

En somme, Faire semblant pour de vrai<\/em> est une m\u00e9talepse sculpturale : une proposition artistique qui fait du processus son sujet, et du faire-semblant une forme sinc\u00e8re d\u2019engagement. Le public est invit\u00e9 \u00e0 explorer un univers o\u00f9 le vrai et le faux se confondent, o\u00f9 la maquette devient \u0153uvre, et o\u00f9 chaque d\u00e9tail, m\u00eame le plus absurde, participe \u00e0 une mise en sc\u00e8ne g\u00e9n\u00e9reusement surjou\u00e9e de l\u2019art comme projet collectif.<\/p>\n

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Au sein de La Famille Plouffe<\/strong>, nous avons entrepris un parcours cr\u00e9atif collaboratif depuis l’arriv\u00e9e de chaque membre dans la vie des autres. Nous embrassons d\u00e9lib\u00e9r\u00e9ment cette identit\u00e9 partag\u00e9e pour reconna\u00eetre et honorer la contribution de chacun\u00b7e, remettant ainsi en question le mythe du g\u00e9nie artistique solitaire. C\u2019est lors d\u2019un s\u00e9jour familial en 2016 aux Maisons Daura, r\u00e9sidences internationales d\u2019artistes, \u00e0 Saint-Cirq-Lapopie en France, que nous avons choisi d\u2019officialiser ce changement.<\/p>\n

Depuis, nous avons particip\u00e9, entre autres, au 35e Symposium international d\u2019art contemporain de Baie-Saint-Paul (2017), \u00e0 la 2e Triennale Banlieue ! \u00e0 la Maison des Arts de Laval (2018), \u00e0 la 9e Biennale nationale de sculpture contemporaine au Mus\u00e9e POP \u00e0 Trois-Rivi\u00e8res (2020), \u00e0 l\u2019\u00e9v\u00e9nement-r\u00e9sidence SEULS et ENSEMBLE, cr\u00e9er du lien aux \u00celes-de-la-Madeleine avec Ad Mare (2021), \u00e0 Racontages au Centre d\u2019art Jacques-et-Michel Auger \u00e0 Victoriaville (2021), \u00e0 l’\u00e9v\u00e9nement Orange \u00e0 Saint-Hyacinthe (2025) et une r\u00e9sidence de cr\u00e9ation pour Faire terroir\u202f: G\u00e9or\u00e9cit avec Vrille art actuel \u00e0 La Pocati\u00e8re (2025). Nous avons \u00e9galement pr\u00e9sent\u00e9 des expositions \u00ab solos \u00bb avec Action Art Actuel \u00e0 Saint-Jean-sur-Richelieu (2017), Vaste et Vague \u00e0 Carleton-sur-Mer (2018), Langage Plus \u00e0 Alma (2019) et la Maison de la culture Marie-Uguay (2022). Ensuite, une s\u00e9rie d\u2019expositions en \u00e9troite collaboration avec l\u2019Atelier le Fil d\u2019Ariane dans le r\u00e9seau des Maisons de la Culture de Montr\u00e9al : Rosemont-La Petite-Patrie (2022), L’entrep\u00f4t [Lachine] (2022) et Mercier (2023).<\/p>\n

Depuis 2015, nous avons eu le privil\u00e8ge d\u2019\u00eatre invit\u00e9s \u00e0 plus de cinquante concours d’art public dans le cadre de Politiques d’art public municipales ou provinciales. Un peu plus de vingt \u0153uvres d’art public, permanentes ou temporaires, ont vu le jour gr\u00e2ce \u00e0 ces concours, des invitations, des initiatives personnelles et des appels \u00e0 candidatures. Nous pr\u00e9parons actuellement l’installation de plusieurs autres \u0153uvres d’art public permanentes et plusieurs pr\u00e9sentations de maquettes. Notre parcours cr\u00e9atif en art public nous a men\u00e9s dans une vari\u00e9t\u00e9 de contextes : des \u00e9coles primaires, sp\u00e9cialis\u00e9es et secondaires aux habitations pour a\u00een\u00e9s et alternatives, en passant par des biblioth\u00e8ques publiques, des parcs, une piste cyclable, des h\u00f4pitaux, des ar\u00e9nas, un centre de congr\u00e8s, des mus\u00e9es, un centre d’exposition, des garderies et plus encore.<\/p>\n

Par notre prise de position philosophique, nous proposons que tout ce qui a \u00e9t\u00e9 auparavant r\u00e9alis\u00e9 au nom de Guillaume Boudrias-Plouffe a, en r\u00e9alit\u00e9, \u00e9t\u00e9 r\u00e9alis\u00e9 par La Famille Plouffe. De cette m\u00eame fa\u00e7on, Guillaume a par le pass\u00e9 repr\u00e9sent\u00e9 la famille lors de projets au Qu\u00e9bec et ailleurs au Canada, en France, en C\u00f4te d\u2019Ivoire et en Italie. Il en va de m\u00eame pour tous les prix, bourses et subventions re\u00e7us \u00e0 l\u2019\u00e9poque en son propre nom, par exemple : le prix rel\u00e8ve de Culture Mont\u00e9r\u00e9gie, le prix Joseph-S.-Stauffer du Conseil des arts du Canada, de m\u00eame que des bourses du Conseil des arts de Longueuil, du Conseil des arts et des lettres du Qu\u00e9bec et du Conseil des arts du Canada. Encore en 2022, la famille a re\u00e7u le Prix Artiste de l\u2019ann\u00e9e en Mont\u00e9r\u00e9gie du CALQ, bien que pour des raisons administratives ce soit Guillaume qui ait d\u00e9pos\u00e9 la candidature. C\u2019est \u00e9galement Guillaume de La Famille Plouffe qui est membre du conseil d’administration du 3e imp\u00e9rial, centre d’essai en art actuel (pr\u00e9sident) et qui a fait partie de celui du Regroupement des centres d’artistes autog\u00e9r\u00e9s du Qu\u00e9bec.<\/p>\n

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D\u00e9tentrice d\u2019un doctorat en histoire de l\u2019art de l\u2019UQ\u00c0M (2020), Gentiane B\u00e9langer<\/strong> occupe le poste de directrice-conservatrice de la Galerie d’art Foreman de l’Universit\u00e9 Bishop’s, \u00e0 Sherbrooke, depuis juin 2015. Ses int\u00e9r\u00eats de recherche se situent au confluent de l’art contemporain, de l’\u00e9cologie et des philosophies mat\u00e9rialistes. Sa th\u00e8se doctorale aborde plus pr\u00e9cis\u00e9ment l’importance de la culture mat\u00e9rielle dans l\u2019actualisation du discours \u00e9cologique en art contemporain. Elle si\u00e8ge au conseil d\u2019administration du centre en art actuel Sporobole, et elle contribue r\u00e9guli\u00e8rement \u00e0 diverses revues sp\u00e9cialis\u00e9es, notamment C Magazine, esse, Espace, ETC et Plastik art & science (Paris I Panth\u00e9on-Sorbonne).<\/p>\n

Camila V\u00e1squez<\/strong> est une artiste interdisciplinaire d\u2019origine chilienne. Elle vit et travaille \u00e0 la campagne, au Qu\u00e9bec, en Estrie, sur des terres ancestrales de la Nation W8banaki, le Ndakina. Elle \u0153uvre dans le milieu des arts depuis 2005 en tant qu\u2019artiste, enseignante, commissaire, m\u00e9diatrice et travailleuse culturelle.\u00a0Sa pratique artistique s\u2019incarne \u00e0 m\u00eame la vie quotidienne et se d\u00e9veloppe dans des projets de longue haleine qui remettent en cause les fronti\u00e8res s\u00e9parant l\u2019art des autres sph\u00e8res de la vie, tout comme les conceptions dominantes de l\u2019espace social et de la connaissance. Son travail a \u00e9t\u00e9 pr\u00e9sent\u00e9 dans divers centres d\u2019art, galeries et \u00e9v\u00e9nements en Argentine, au Chili, en Espagne et au Qu\u00e9bec, ainsi que de mani\u00e8re autonome ou furtive. Actuellement, elle est coordonnatrice du Laboratoire communautaire d\u2019art de la galerie d\u2019art Foreman de l\u2019Universit\u00e9 Bishop\u2019s. Parmi ses influences on retrouve la pens\u00e9e et la p\u00e9dagogie de David Tomas, l\u2019approche du performatif comme mode de vie de Sylvie Tourangeau, l\u2019art infiltrant ancr\u00e9 dans le r\u00e9el du 3e imp\u00e9rial et les artistes qui y gravitent autour, ainsi que les courants artistiques des avant-gardes qui s\u2019int\u00e9ressent aux liens entre l\u2019art et la vie.<\/p>\n

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NOUVEAUX PUBLICSFaire semblant pour de vrai (titre de travail) 24 avril \u2013 4 juillet 2026Artistes La Famille Plouffe (Guillaume Boudrias-Plouffe, \u00c9milie Levert, Emeline, L\u00e9o et Z\u00e9phir Plouffe)   Commissaires Gentiane B\u00e9langer & Camila V\u00e1squezSurvolFaire semblant pour de vrai (titre de travail) explore les coulisses de l\u2019art public \u00e0 travers une installation immersive m\u00ealant maquettes, mod\u00e9lisations, […]<\/p>\n","protected":false},"author":17,"featured_media":22050,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[175],"tags":[],"class_list":["post-22053","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-2026-fr"],"acf":[],"yoast_head":"\nFaire semblant pour de vrai - La Famille Plouffe - Foreman Art Gallery<\/title>\n<meta name=\"description\" content=\"Pretending for real explores the undisclosed aspects of public art through an immersive installation combining models, mock-ups, fictional archives, and scripted performances. 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