{"id":21329,"date":"2025-04-25T11:53:38","date_gmt":"2025-04-25T15:53:38","guid":{"rendered":"https:\/\/foreman.ubishops.ca\/on-horizon-and-unbelonging-blog-post-7\/"},"modified":"2025-05-20T13:53:04","modified_gmt":"2025-05-20T17:53:04","slug":"on-horizon-and-unbelonging-blog-post-7","status":"publish","type":"post","link":"https:\/\/foreman.ubishops.ca\/fr\/on-horizon-and-unbelonging-blog-post-7\/","title":{"rendered":"On Horizon and (un)Belonging | BLOGUE | BILLET 7"},"content":{"rendered":"

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Florencia Sosa Rey \u2013<\/span><\/strong><\/p>\n

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R\u00e9flexions de l’artiste<\/strong><\/p>\n

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 <\/p>\n

\u00ab <\/strong>comment se r\u00e9approprier le folklore par l\u2019abstraction, danser sans danser,
cr\u00e9er des rythmes sans instruments ? \u00bb<\/strong> – Florencia en dialogue avec Camila<\/span><\/i><\/p>\n

F\u00e9vrier 2025<\/strong><\/p>\n

Suite \u00e0 cette visite \u00e0 l\u2019\u00e9cole de danse Herencia Latina<\/em> de Sherbrooke, j\u2019entre en contact avec Ana Lucia, une professeur de danse folklorique \u00e0 Montr\u00e9al qui enseigne sp\u00e9cifiquement des danses folk argentines. Le folklore est un hybride, r\u00e9sultat de la migration de peuple inca vers le sud du continent et le nord de l\u2019Argentine et de sa rencontre avec des populations coloniales. La chacarera, la zamba, la cueca, sont quelques unes des danses enseign\u00e9es \u00e0 un petit groupe de participant-es amateur-ices. Je reconnais les rythmes musicaux et certains des gestes, car ceux-ci font partie de mon paysage sonore et artistique depuis l\u2019enfance. Les dynamiques de ces danses se basent sur la courtise plut\u00f4t genr\u00e9es homme-femme, et elles s\u2019ex\u00e9cutent en paires de deux ou de quatre. Je m\u2019int\u00e9resse aux mouvements, aux accessoires, aux d\u00e9placements au sol. Des rythmes tap\u00e9s des mains, des <\/span>pa\u00f1uelos<\/span><\/i> \u00e0 la main<\/span>,<\/span> rondas, zapateo<\/span><\/i>. J\u2019observe, crayon et papier \u00e0 la main. Intuitivement, ces \u00e9l\u00e9ments font l\u2019objet de notes, de lignes et de traits rapides. Les dessins qui en ressortent sont pragmatiques, avec des formes tant graphiques que abstraites.<\/span><\/p>\n

 <\/p>\n

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On Horizon and (un)Belonging, la r\u00e9sidence r\u00e9sidence ArtLab 2024-25, tente de sonder les espaces liminaux entre le processus de cr\u00e9ation et la transmission de connaissances. Par une approche collaborative, la commissaire Camila V\u00e1squez et l’artiste Florencia Sosa Rey exploreront ces questions dans des communaut\u00e9s et territoires de l\u2019Estrie.<\/p>\n","protected":false},"author":18,"featured_media":19836,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[44,162,173],"tags":[],"class_list":["post-21329","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-community-art-lab-fr","category-2024-fr","category-2025-fr"],"acf":[],"yoast_head":"\nOn Horizon and (un)Belonging | BLOGUE | BILLET 7 - Foreman Art Gallery<\/title>\n<meta name=\"description\" content=\"On Horizon and (un)Belonging, la r\u00e9sidence r\u00e9sidence ArtLab 2024-25, tente de sonder les espaces liminaux entre le processus de cr\u00e9ation et la transmission de connaissances. 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