{"id":21307,"date":"2025-04-25T11:14:41","date_gmt":"2025-04-25T15:14:41","guid":{"rendered":"https:\/\/foreman.ubishops.ca\/on-horizon-and-unbelonging-blog-post-6\/"},"modified":"2025-04-25T11:27:49","modified_gmt":"2025-04-25T15:27:49","slug":"on-horizon-and-unbelonging-blogue-billet-6","status":"publish","type":"post","link":"https:\/\/foreman.ubishops.ca\/fr\/on-horizon-and-unbelonging-blogue-billet-6\/","title":{"rendered":"On Horizon and (un)Belonging | BLOGUE | BILLET 6"},"content":{"rendered":"<p>[et_pb_section fb_built=\u00a0\u00bb1&Prime; _builder_version=\u00a0\u00bb4.27.2&Prime; _module_preset=\u00a0\u00bbdefault\u00a0\u00bb background_color=\u00a0\u00bb#c29592&Prime; locked=\u00a0\u00bboff\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_row _builder_version=\u00a0\u00bb4.16&Prime; _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4&Prime; _builder_version=\u00a0\u00bb4.16&Prime; _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_text _builder_version=\u00a0\u00bb4.16&Prime; _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bb|600|||||||\u00a0\u00bb text_text_color=\u00a0\u00bb#FFFFFF\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=\u00a0\u00bb1&Prime; _builder_version=\u00a0\u00bb4.16&Prime; _module_preset=\u00a0\u00bbdefault\u00a0\u00bb background_color=\u00a0\u00bbrgba(8,122,147,0.07)\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_row _builder_version=\u00a0\u00bb4.19.5&Prime; _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4&Prime; _builder_version=\u00a0\u00bb4.19.5&Prime; _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_gallery gallery_ids=\u00a0\u00bb21275&Prime; fullwidth=\u00a0\u00bbon\u00a0\u00bb admin_label=\u00a0\u00bbMain Images\u00a0\u00bb _builder_version=\u00a0\u00bb4.27.4&Prime; title_text_align=\u00a0\u00bbcenter\u00a0\u00bb caption_text_align=\u00a0\u00bbleft\u00a0\u00bb background_color=\u00a0\u00bbrgba(0,0,0,0)\u00a0\u00bb position_origin_a=\u00a0\u00bbcenter_center\u00a0\u00bb text_orientation=\u00a0\u00bbleft\u00a0\u00bb width=\u00a0\u00bb100%\u00a0\u00bb module_alignment=\u00a0\u00bbcenter\u00a0\u00bb custom_margin=\u00a0\u00bb||-2px|||\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_gallery][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=\u00a0\u00bb4.27.2&Prime; _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4&Prime; _builder_version=\u00a0\u00bb4.27.2&Prime; _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_text _builder_version=\u00a0\u00bb4.27.4&Prime; _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]<\/p>\n<p><strong><span style=\"font-weight: 400;\">Florencia Sosa Rey \u2013<\/span><\/strong><\/p>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=\u00a0\u00bb4.27.2&Prime; _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4&Prime; _builder_version=\u00a0\u00bb4.27.2&Prime; _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_text _builder_version=\u00a0\u00bb4.27.4&Prime; _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]<\/p>\n<p><strong>R\u00e9flexions de l&rsquo;artiste<\/strong><\/p>\n<p>[\/et_pb_text][et_pb_text _builder_version=\u00a0\u00bb4.27.4&Prime; _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]<\/p>\n<p>&nbsp;<\/p>\n<p style=\"text-align: right;\"><i> \u00ab La simple pr\u00e9sence du cheval semble agir comme un catalyseur de processus int\u00e9rieurs<br \/>par lesquels l\u2019\u00eatre humain approfondit sa relation avec soi. \u00bb\u00a0<\/i><i> <\/i><span style=\"font-weight: 400;\">&#8211; Camila V\u00e1squez<\/span><\/p>\n<p><strong>Janvier 2025<\/strong><\/p>\n<p><span style=\"font-weight: 400;\">Il y a quelques ann\u00e9es, durant une courte r\u00e9sidence d\u2019artiste en Argentine, je me suis int\u00e9ress\u00e9e aux chevaux pour leur figure ancestrale. Par la suite, j\u2019ai suivi un stage avec la chor\u00e9graphe Dorian Nuskind aux c\u00f4t\u00e9s de chevaux sur la rive Nord de Montr\u00e9al. Ce qui porte cet int\u00e9r\u00eat est de l&rsquo;ordre de l&rsquo;invisible, la force d\u2019\u00e9coute remarquable de ces animaux envers nos comportements, qu\u2019ils soient tangibles ou non. Leurs pr\u00e9sences, d\u2019une attention in\u00e9gal\u00e9e, sont de grandes ressources pour apprendre sur soi. Ces animaux ressentent le doutes, l\u2019anxi\u00e9t\u00e9, le calme, la coh\u00e9rence int\u00e9rieure d\u2019une personne, entre l\u2019intention pens\u00e9e et ce qu\u2019on d\u00e9gage r\u00e9ellement par l\u2019\u00e9nergie et le langage corporel. Cette compr\u00e9hension profonde se refl\u00e8te dans leur approche \u00e0 nous, dans leur d\u00e9placement vers l\u2019humain. Des lignes de d\u00e9placements au sol r\u00e9v\u00e8lent alors la qualit\u00e9 d\u2019une relation. Cette exploration \u00e0 la <\/span><i><span style=\"font-weight: 400;\">Fermitage<\/span><\/i><span style=\"font-weight: 400;\"> et \u00e0<\/span><i><span style=\"font-weight: 400;\"> l\u2019institut du ressenti<\/span><\/i><span style=\"font-weight: 400;\"> me ram\u00e8ne \u00e0 mon travail <\/span><i><span style=\"font-weight: 400;\">FatherDaughter<\/span><\/i><span style=\"font-weight: 400;\"> avec mon p\u00e8re o\u00f9 nous formons des lignes circulaires \u00e0 pied et \u00e0 la course pour signifier la fluidit\u00e9 et la fluctuation d\u2019une relation filiale, voire ancestrale et queer. Dans cette nouvelle approche \u00e0 la relationnalit\u00e9, ma recherche se penche alors sur les possibilit\u00e9s de documentation des traces de ces d\u00e9placements entre moi et les chevaux, entre eux ou d\u2019autres animaux, par exemple: des moutons ou des vaches. Comment d\u00e9velopper un langage holistique visuel entre \u00e9motionalit\u00e9, pens\u00e9e conceptuelle et dessin \u00e0 partir de diff\u00e9rentes explorations intuitives avec la nature, le paysage et ses animaux comme ressources pour dialoguer \u00e0 partir et avec un langage non-verbal, ancestral?<\/span><\/p>\n<p>&nbsp;<\/p>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=\u00a0\u00bb4.16&Prime; _module_preset=\u00a0\u00bbdefault\u00a0\u00bb locked=\u00a0\u00bboff\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4&Prime; _builder_version=\u00a0\u00bb4.16&Prime; _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_button button_url=\u00a0\u00bbhttps:\/\/foreman.ubishops.ca\/fr\/on-horizon-and-unbelonging-blogue\/\u00a0\u00bb button_text=\u00a0\u00bb+ RETOUR \u00c0 LA PAGE PRINCIPALE DU BLOGUE\u00a0\u00bb button_alignment=\u00a0\u00bbcenter\u00a0\u00bb _builder_version=\u00a0\u00bb4.27.4&Prime; _module_preset=\u00a0\u00bbdefault\u00a0\u00bb custom_button=\u00a0\u00bbon\u00a0\u00bb button_text_color=\u00a0\u00bb#c29592&Prime; locked=\u00a0\u00bboff\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_button][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=\u00a0\u00bb4.16&Prime; _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4&Prime; _builder_version=\u00a0\u00bb4.16&Prime; _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_divider show_divider=\u00a0\u00bboff\u00a0\u00bb _builder_version=\u00a0\u00bb4.16&Prime; _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_divider][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=\u00a0\u00bb1&Prime; _builder_version=\u00a0\u00bb4.27.2&Prime; _module_preset=\u00a0\u00bbdefault\u00a0\u00bb background_color=\u00a0\u00bb#c29592&Prime; global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_row _builder_version=\u00a0\u00bb4.16&Prime; _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4&Prime; _builder_version=\u00a0\u00bb4.16&Prime; _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_text _builder_version=\u00a0\u00bb4.16&Prime; _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_text_color=\u00a0\u00bb#000000&Prime; global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":"<p>On Horizon and (un)Belonging, la r\u00e9sidence r\u00e9sidence ArtLab 2024-25, tente de sonder les espaces liminaux entre le processus de cr\u00e9ation et la transmission de connaissances. Par une approche collaborative, la commissaire Camila V\u00e1squez et l&rsquo;artiste Florencia Sosa Rey exploreront ces questions dans des communaut\u00e9s et territoires de l\u2019Estrie.<\/p>\n","protected":false},"author":18,"featured_media":19836,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[44,162,173],"tags":[],"class_list":["post-21307","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-community-art-lab-fr","category-2024-fr","category-2025-fr"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.1.1 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>On Horizon and (un)Belonging | BLOGUE | BILLET 6 - Foreman Art Gallery<\/title>\n<meta name=\"description\" content=\"On Horizon and (un)Belonging, la r\u00e9sidence r\u00e9sidence ArtLab 2024-25, tente de sonder les espaces liminaux entre le processus de cr\u00e9ation et la transmission de connaissances. Par une approche collaborative, la commissaire Camila V\u00e1squez et l&#039;artiste Florencia Sosa Rey exploreront ces questions dans des communaut\u00e9s et territoires de l\u2019Estrie.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/foreman.ubishops.ca\/fr\/on-horizon-and-unbelonging-blogue-billet-6\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"On Horizon and (un)Belonging | BLOGUE | BILLET 6 - Foreman Art Gallery\" \/>\n<meta property=\"og:description\" content=\"On Horizon and (un)Belonging, la r\u00e9sidence r\u00e9sidence ArtLab 2024-25, tente de sonder les espaces liminaux entre le processus de cr\u00e9ation et la transmission de connaissances. 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