{"id":20157,"date":"2024-11-05T14:54:57","date_gmt":"2024-11-05T19:54:57","guid":{"rendered":"https:\/\/foreman.ubishops.ca\/on-horizon-and-unbelonging-blog-post-2\/"},"modified":"2025-01-28T18:53:01","modified_gmt":"2025-01-28T23:53:01","slug":"on-horizon-and-unbelonging-blogue-billet-2","status":"publish","type":"post","link":"https:\/\/foreman.ubishops.ca\/fr\/on-horizon-and-unbelonging-blogue-billet-2\/","title":{"rendered":"On Horizon and (un)Belonging | BLOGUE | BILLET 2"},"content":{"rendered":"

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Camila V\u00e1squez \u2013<\/span><\/strong><\/p>\n

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Observaciones y reflexiones de la curadora<\/strong><\/p>\n

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Octubre 2024<\/strong><\/p>\n

Enternecedoras. \u00bfQu\u00e9 otra palabra podr\u00eda usar para describir esas ni\u00f1as y adolescentes que aprenden en castellano danzas folcl\u00f3ricas de Am\u00e9rica Latina y el Caribe en Quebec? De pa\u00edses que tal vez conocen poco o a los que no han regresado desde hace mucho. D\u00f3nde quiz\u00e1s tienen parientes y amistades. Algunas habr\u00e1n nacido en Quebec, algunas habr\u00e1n migrado en el vientre materno, otras habr\u00e1n llegado de la mano de su madre o su padre. Y est\u00e1n tambi\u00e9n esas que no han estado nunca en esos pa\u00edses que, sin embargo, forman parte de su historia de vida. Pero todas tienen en com\u00fan que una vez por semana, pueden existir con sus pares en castellano, en una esfera social fuera del ambiente familiar, recibiendo un legado de sus ra\u00edces culturales a distancia.<\/p>\n

El sonido de la m\u00fasica es estridente. Miguel Guti\u00e9rrez, que dirige la escuela Herencia Latina<\/em> basada en Sherbrooke, les da instrucciones para mejorar las frases que repiten una y otra vez. Est\u00e1n en la etapa de aprendizaje, luego de la cual montar\u00e1n dos espect\u00e1culos. Uno que presentar\u00e1n en invierno para un p\u00fablico \u00edntimo, y otro, en verano, con el que ir\u00e1n de gira por la regi\u00f3n, participando en diferentes festivales y eventos.<\/p>\n

\u201cTodo lo que se empieza se termina\u201d, les dice Miguel. Toma una chancla y, en vez de calzarse, se la pone en la mano. Luego se la quita y la sacude, inerte, l\u00e1nguida, sin tonicidad. Vuelve a introducir la mano en ella para mostrarles c\u00f3mo concluir un movimiento del brazo sin dejarlo interrumpido, sino que complet\u00e1ndolo con fuerza y amplitud. La educaci\u00f3n de Miguel es cl\u00e1sica en el mundo de la danza, en el que se exige rigor a las bailarinas, a veces a trav\u00e9s del ejemplo y otras a trav\u00e9s de la palabra. Una palabra que se impone y se da a entender. Ellas lo escuchan atentamente, dir\u00eda incluso con cari\u00f1o, manteniendo esa jovialidad propia de la infancia y la adolescencia.<\/p>\n

Cuando Florencia y yo llegamos, durante el calentamiento, las chicas estaban elongando y conversando. Se notaba la complicidad, la cercan\u00eda de un grupo que se conoce y se reconoce. Florencia me coment\u00f3 que a ella le hizo falta tener ese tipo de contexto sociocultural durante su infancia en Montreal. Y yo pienso en c\u00f3mo me gustar\u00eda ofrecerle eso a mis hijos y a mi hija aqu\u00ed, en la regi\u00f3n de Estrie.<\/p>\n

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Observations et r\u00e9flexions de la commissaire<\/strong><\/p>\n

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Octobre 2024<\/strong><\/p>\n

Attendrissantes. Quel autre mot pourrais-je utiliser pour d\u00e9crire ces filles et ces adolescentes qui apprennent des danses folkloriques latino-am\u00e9ricaines et carib\u00e9ennes en espagnol au Qu\u00e9bec ? De pays qu’elles connaissent peu ou dans lesquels elles ne sont pas retourn\u00e9es depuis longtemps. De pays o\u00f9 elles ont peut-\u00eatre des parents et des amis. Certaines sont n\u00e9es au Qu\u00e9bec, d’autres ont migr\u00e9 dans le ventre de leur m\u00e8re, d’autres encore sont arriv\u00e9es par la main de leurs parents. Et puis il y a celles qui ne sont jamais all\u00e9es dans ces pays, et qui pourtant font partie de l’histoire de leur vie. Mais toutes ont en commun de pouvoir, une fois par semaine, vivre avec leurs pairs en espagnol, dans une sph\u00e8re sociale hors du cadre familial, en recevant \u00e0 distance un h\u00e9ritage de leurs racines culturelles.<\/p>\n

Le son de la musique est strident. Miguel Guti\u00e9rrez, qui dirige l’\u00e9cole de danse Herencia Latina<\/em>, bas\u00e9e \u00e0 Sherbrooke, leur donne des instructions pour am\u00e9liorer les phrases qu’elles r\u00e9p\u00e8tent encore et encore. Elles en sont \u00e0 l’\u00e9tape de l’apprentissage, \u00e0 l’issue de laquelle la troupe montera deux spectacles. L’un, en hiver, devant un public intime, et l’autre, en \u00e9t\u00e9, avec lequel elles parcourront la r\u00e9gion en participant \u00e0 diff\u00e9rents festivals et \u00e9v\u00e9nements.<\/p>\n

\u00ab Toute chose commenc\u00e9e doit \u00eatre achev\u00e9e \u00bb, leur dit Miguel. Il prend une babouche et, au lieu de la mettre sur son pied, il la met sur une main. Puis il l’enl\u00e8ve et la secoue, inerte, languissante, sans tonus. Il y remet sa main pour leur montrer comment conclure un mouvement du bras sans le laisser ininterrompu, sans forme, mais au contraire en le compl\u00e9tant avec force et amplitude. L’\u00e9ducation de Miguel en est une classique dans le milieu de la danse, o\u00f9 l’on demande aux interpr\u00e8tes d’\u00eatre rigoureux, tant\u00f4t par l’exemple, tant\u00f4t par la parole. Une parole qui s’impose et se fait comprendre. Elles l’\u00e9coutent avec attention, je dirais m\u00eame avec affection, gardant cette jovialit\u00e9 de l’enfance et de l’adolescence.<\/p>\n

Lorsque Florencia et moi sommes arriv\u00e9es, pendant l’\u00e9chauffement, les filles s’\u00e9tiraient et discutaient. On sentait la complicit\u00e9, la proximit\u00e9 d’un groupe qui se conna\u00eet et se reconna\u00eet. Florencia m’a dit que ce genre de contexte socioculturel lui avait manqu\u00e9 pendant son enfance \u00e0 Montr\u00e9al. Je pense \u00e0 mon souhait d’offrir cela \u00e0 mes enfants, ici, en Estrie.<\/p>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\u00a0\u00bb1_2,1_2″ _builder_version=\u00a0\u00bb4.27.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb1_2″ _builder_version=\u00a0\u00bb4.27.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_image src=\u00a0\u00bbhttps:\/\/foreman.ubishops.ca\/wp-content\/uploads\/2024\/11\/herencia_latina02.jpg\u00a0\u00bb alt=\u00a0\u00bbFlorencia Sosa Rey, \u00ab On Horizon and (un)Belonging \u00bb (r\u00e9sidence ArtLab 2024-25, recherche sur le terrain \/\/ ArtLab residency 2024-25, field research), 2024.\u00a0\u00bb title_text=\u00a0\u00bbFlorencia Sosa Rey, recherche sur le terrain \/\/ field research, (2024)\u00a0\u00bb _builder_version=\u00a0\u00bb4.27.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_image][\/et_pb_column][et_pb_column type=\u00a0\u00bb1_2″ _builder_version=\u00a0\u00bb4.27.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_image src=\u00a0\u00bbhttps:\/\/foreman.ubishops.ca\/wp-content\/uploads\/2024\/11\/herencia_latina04.jpg\u00a0\u00bb alt=\u00a0\u00bbFlorencia Sosa Rey, \u00ab On Horizon and (un)Belonging \u00bb (r\u00e9sidence ArtLab 2024-25, recherche sur le terrain \/\/ ArtLab residency 2024-25, field research), 2024.\u00a0\u00bb title_text=\u00a0\u00bbFlorencia Sosa Rey, recherche sur le terrain \/\/ field research, (2024)\u00a0\u00bb _builder_version=\u00a0\u00bb4.27.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_image][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=\u00a0\u00bb4.16″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4″ _builder_version=\u00a0\u00bb4.16″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_divider show_divider=\u00a0\u00bboff\u00a0\u00bb _builder_version=\u00a0\u00bb4.16″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_divider][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=\u00a0\u00bb4.16″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb locked=\u00a0\u00bboff\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4″ _builder_version=\u00a0\u00bb4.16″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_button button_url=\u00a0\u00bbhttps:\/\/foreman.ubishops.ca\/fr\/on-horizon-and-unbelonging-blogue\/\u00a0\u00bb button_text=\u00a0\u00bb+ RETOUR \u00c0 LA PAGE PRINCIPALE DU BLOGUE\u00a0\u00bb button_alignment=\u00a0\u00bbcenter\u00a0\u00bb _builder_version=\u00a0\u00bb4.27.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb custom_button=\u00a0\u00bbon\u00a0\u00bb button_text_color=\u00a0\u00bb#c29592″ locked=\u00a0\u00bboff\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_button][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=\u00a0\u00bb4.16″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4″ _builder_version=\u00a0\u00bb4.16″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_divider show_divider=\u00a0\u00bboff\u00a0\u00bb _builder_version=\u00a0\u00bb4.16″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_divider][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=\u00a0\u00bb1″ _builder_version=\u00a0\u00bb4.27.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb background_color=\u00a0\u00bb#c29592″ global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_row _builder_version=\u00a0\u00bb4.16″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4″ _builder_version=\u00a0\u00bb4.16″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_text _builder_version=\u00a0\u00bb4.16″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_text_color=\u00a0\u00bb#000000″ global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":"

Ancr\u00e9e dans des pratiques corporelles et des p\u00e9dagogies alternatives, On Horizon and (un)Belonging, la r\u00e9sidence r\u00e9sidence ArtLab 2024-25, tente de sonder les espaces liminaux entre le processus de cr\u00e9ation et la transmission de connaissances. Par une approche collaborative, la commissaire Camila V\u00e1squez et l’artiste Florencia Sosa Rey exploreront ces questions dans des communaut\u00e9s et territoires de l\u2019Estrie.<\/p>\n","protected":false},"author":18,"featured_media":19836,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[31,44,162,173],"tags":[],"class_list":["post-20157","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-en-cours","category-community-art-lab-fr","category-2024-fr","category-2025-fr"],"acf":[],"yoast_head":"\nOn Horizon and (un)Belonging | BLOGUE | BILLET 2 - Foreman Art Gallery<\/title>\n<meta name=\"description\" content=\"On Horizon and (un)Belonging, la r\u00e9sidence r\u00e9sidence ArtLab 2024-25, tente de sonder les espaces liminaux entre le processus de cr\u00e9ation et la transmission de connaissances. Par une approche collaborative, la commissaire Camila V\u00e1squez et l'artiste Florencia Sosa Rey exploreront ces questions dans des communaut\u00e9s et territoires de l\u2019Estrie.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/foreman.ubishops.ca\/fr\/on-horizon-and-unbelonging-blogue-billet-2\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"On Horizon and (un)Belonging | BLOGUE | BILLET 2 - Foreman Art Gallery\" \/>\n<meta property=\"og:description\" content=\"On Horizon and (un)Belonging, la r\u00e9sidence r\u00e9sidence ArtLab 2024-25, tente de sonder les espaces liminaux entre le processus de cr\u00e9ation et la transmission de connaissances. 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