{"id":19596,"date":"2024-09-23T12:29:23","date_gmt":"2024-09-23T16:29:23","guid":{"rendered":"https:\/\/foreman.ubishops.ca\/?p=19596"},"modified":"2025-06-11T12:44:03","modified_gmt":"2025-06-11T16:44:03","slug":"au-creux-des-sillons","status":"publish","type":"post","link":"https:\/\/foreman.ubishops.ca\/fr\/au-creux-des-sillons\/","title":{"rendered":"Au creux des sillons"},"content":{"rendered":"

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NOUVELLES VOIX<\/p>\n

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Au creux des sillons. Shake the ground<\/h1>\n

17 janvier \u2013 15 mars 2025<\/h2>\n

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Artiste<\/h2>\n

Alexa Kumiko Hatanaka<\/h3>\n

 <\/p>\n

\n

Commissaire<\/h2>\n

Gentiane B\u00e9langer<\/h3>\n

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Survol<\/h2>\n

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Le travail d\u2019impression d\u2019Alexa Kumiko Hatanaka se d\u00e9ploie comme le territoire, avec une forte sensation d\u2019infinitude. Des lacis de rainures denses dessinent des topographies myst\u00e9rieuses, parfois expansives, parfois d\u00e9coup\u00e9es et d\u00e9cupl\u00e9es comme dans des courtepointes, un peu en \u00e9cho \u00e0 l\u2019identit\u00e9 d\u00e9localis\u00e9e, transnationale de l\u2019artiste. Le papier Washi qui re\u00e7oit les impressions anime ces configurations d\u2019une transparence lumineuse. Par ses gravures, Hatanaka arpente diff\u00e9rents territoires\u202fsuperpos\u00e9s\u202f: ceux fa\u00e7onn\u00e9s par les turbulences de l\u2019eau, par la glace, le vent et la neige; ceux fa\u00e7onn\u00e9s par les sensations, les perceptions et les affects. Les mondes qui d\u00e9posent leur empreinte sur le papier sont \u00e0 la fois ext\u00e9rieurs et int\u00e9rieurs, empiriques et psychiques. Le papier Washi connecte ces mappemondes abstraites \u00e0 des terres tr\u00e8s sp\u00e9cifiques, par sa mat\u00e9rialit\u00e9 propre contingente aux plantes, aux cours d\u2019eau et aux traditions qui en permettent la production.<\/p>\n

Cette exposition regroupe plusieurs impressions de grand format sur papier Washi ainsi que des blocs d\u2019impression, o\u00f9 la mati\u00e8re, les pigments, les motifs et les entrelacs de veinures se r\u00e9pondent en \u00e9cho les uns aux autres. Remous \u00e0 la surface des torrents, ridules de vent dans la neige, craquelures dans les sols gel\u00e9s du nord, mais \u00e9galement lignes de fuite, lignes de d\u00e9sir et trajectoires de sympt\u00f4mes pathologiques. Parfois suspendues dans l\u2019espace, parfois tass\u00e9es sur elles-m\u00eames pour en faire des rochers, ces grandes voilures de papier imprim\u00e9 \u00e9branlent le sol de nos convictions et de nos appartenances, et sondent notre int\u00e9riorit\u00e9, au creux des sillons form\u00e9s par nos fragilit\u00e9s.<\/p>\n

La Galerie d’art Foreman tient \u00e0 remercier la Galerie Patel Brown pour le pr\u00eat des \u0153uvres et leur collaboration \u00e0 la r\u00e9alisation de cette exposition.<\/span><\/p>\n

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Alexa Kumiko Hatanaka<\/strong> est une artiste nippo-canadienne, queer et atteinte d\u2019un handicap bas\u00e9e \u00e0 Toronto, une identit\u00e9 qui sculpte sa pratique. Hatanaka ancre sa pratique dans sa formation en techniques d\u2019impression et de fabrication de papier, en lien avec son utilisation intentionnelle de mat\u00e9riaux et de processus historiques connect\u00e9s aux territoires. Ses adaptations de traditions, sous la forme d\u2019installations d\u2019estampes \u00e0 grande \u00e9chelle et de sculptures portables, abordent les questions contemporaines des changements climatiques, de la sant\u00e9 mentale et de la survie. Ensemble, des motifs r\u00e9currents li\u00e9s au paysage, aux poissons et aux plans d\u2019eau parlent d\u2019exp\u00e9riences personnelles et collectives de lutte et de r\u00e9silience.<\/p>\n

La pratique de Hatanaka prend forme par des recherches et une pratique collaborative, bas\u00e9es sur l\u2019exp\u00e9rience. Son travail comprend des projets \u00e0 long terme engag\u00e9s aupr\u00e8s des communaut\u00e9s de l\u2019Arctique, et des performances qui int\u00e8grent et r\u00e9interpr\u00e8tent le kamiko, des v\u00eatements cousus dans du washi, du papier japonais.<\/p>\n

Hatanaka a expos\u00e9 au Mus\u00e9e des beaux-arts du Canada (Ottawa, CA), au Mus\u00e9e des beaux-arts de l\u2019Ontario (Toronto, CA), au British Museum (Londres, Royaume-Uni), \u00e0 la Toronto Biennial of Art (Toronto, CA), \u00e0 la Guanlan International Printmaking Base (Shenzhen, Chine), au Nikkei National Museum (Burnaby, CA) et \u00e0 Harper\u2019s (New York, \u00c9tats-Unis) et au Ino Cho Paper Museum (Kochi, Japon).<\/p>\n

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Exhibition Booklet<\/a><\/p>\n

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NOUVELLES VOIXAu creux des sillons. Shake the ground 17 janvier \u2013 15 mars 2025Artiste Alexa Kumiko Hatanaka   Commissaire Gentiane B\u00e9langerSurvolLe travail d\u2019impression d\u2019Alexa Kumiko Hatanaka se d\u00e9ploie comme le territoire, avec une forte sensation d\u2019infinitude. Des lacis de rainures denses dessinent des topographies myst\u00e9rieuses, parfois expansives, parfois d\u00e9coup\u00e9es et d\u00e9cupl\u00e9es comme dans des courtepointes, […]<\/p>\n","protected":false},"author":17,"featured_media":19309,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[33,173],"tags":[],"class_list":["post-19596","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-anterieures","category-2025-fr"],"acf":[],"yoast_head":"\nAu creux des sillons - Foreman Art Gallery<\/title>\n<meta name=\"description\" content=\"Le travail d\u2019impression d\u2019Alexa Kumiko Hatanaka se d\u00e9ploie comme le territoire, avec une forte sensation d\u2019infinitude. 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