{"id":19430,"date":"2024-09-13T15:24:33","date_gmt":"2024-09-13T19:24:33","guid":{"rendered":"https:\/\/foreman.ubishops.ca\/?p=19430"},"modified":"2025-01-08T17:20:15","modified_gmt":"2025-01-08T22:20:15","slug":"faux-plis-par-hypotheses","status":"publish","type":"post","link":"https:\/\/foreman.ubishops.ca\/fr\/faux-plis-par-hypotheses\/","title":{"rendered":"Faux plis par hypoth\u00e8ses"},"content":{"rendered":"

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COURANTS SOCIAUX<\/p>\n

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Faux plis par hypoth\u00e8ses<\/h1>\n

18 octobre \u2013 14 d\u00e9cembre 2024<\/h2>\n

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Artistes<\/h2>\n

Anna Binta Diallo, Sophie Jodoin, Eruoma Awashish & M\u00e9lanie Myers<\/h3>\n

Aussi: Genevi\u00e8ve Chevalier, Club de prospection figur\u00e9e, Caroline Fillion, Maryse Goudreau, Richard Ibghy & Marilou Lemmens, Emmanuelle L\u00e9onard, Kosisochukwu Nnebe, Anahita Norouzi et Leila Zelli<\/h4>\n

\u00a0<\/h2>\n

Commissaires<\/h2>\n

Louise D\u00e9ry & Marie-H\u00e9l\u00e8ne Leblanc<\/h3>\n

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Survol<\/h6>\n

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D\u00e8s le 18 octobre, la Galerie d\u2019art Foreman de l\u2019Universit\u00e9 Bishop\u2019s (Sherbrooke) pr\u00e9sentera Faux plis par hypoth\u00e8ses<\/em>, une exposition collective sous le commissariat de Louise D\u00e9ry, directrice de la Galerie de l\u2019UQAM, et Marie-H\u00e9l\u00e8ne Leblanc, directrice de la Galerie UQO. Le projet, soutenu par le scientifique en chef du Qu\u00e9bec, met en lumi\u00e8re le r\u00f4le singulier de la galerie universitaire et engage une r\u00e9flexion sur la relation entre art et science. Les treize corpus artistiques s\u00e9lectionn\u00e9s par les commissaires sont d\u00e9ploy\u00e9s dans cinq espaces d\u2019exposition et de recherche au Qu\u00e9bec : la Galerie UQO, la Galerie de l\u2019UQAM, la Galerie l\u2019\u0152uvre de l\u2019Autre, les Jardins de M\u00e9tis et la Galerie d\u2019art Foreman. Dans le cadre de Faux plis par hypoth\u00e8ses<\/em>, la Galerie d\u2019art Foreman de l\u2019Universit\u00e9 Bishop\u2019s (Sherbrooke) pr\u00e9sente les \u0153uvres d\u2019Eruoma Awashish, Anna Binta Diallo, Sophie Jodoin et M\u00e9lanie Myers ainsi qu\u2019un dispositif exposant des interventions de l\u2019ensemble des artistes participant au projet.<\/p>\n

L\u2019exposition<\/strong>
Faux plis par hypoth\u00e8ses<\/em> refl\u00e8te les aspirations des deux commissaires : t\u00e9moigner de l\u2019engagement de la galerie universitaire dans les probl\u00e9matiques cruciales li\u00e9es aux questions de langues et d\u2019identit\u00e9s, de terrestres et de territoires, et de structures et d\u2019institutions, lesquelles sont souvent partag\u00e9es par plusieurs secteurs de la recherche. La galerie universitaire est pr\u00e9cis\u00e9ment ce lieu o\u00f9, au croisement des savoirsartistiques et scientifiques, des initiatives audacieuses et porteuses font \u00e9clater les id\u00e9es re\u00e7ues, en plus de faire \u00e9merger de nouvelles formes et postures de recherche issues des enjeux artistiques les plus actuels. La Galerie de l\u2019UQAM et la Galerie UQO participent activement \u00e0 ce d\u00e9cloisonnement disciplinaire en exposant des \u0153uvres et en invitant des artistes qui inventent des raccords f\u00e9conds avec des contenus scientifiques. Le cadre conceptuel du projet s\u2019appuie sur la notion de faux plis, ici consid\u00e9r\u00e9s comme des biais parfois impos\u00e9s, parfois acquis, parfois transmis. Ces faux plis, immanquablement pr\u00e9sents dans le contexte universitaire, s\u2019infiltrent dans la recherche et la cr\u00e9ation. Comment les identifier, les d\u00e9faire, les transformer? La d\u00e9marche de Faux plis par hypoth\u00e8ses<\/em> appelle \u00e9galement la reconnaissance des expertises des chercheur\u00b7euse\u00b7s artistes ou scientifiques, soumises \u00e0 des fragilit\u00e9s nombreuses, notamment en ce qui concerne la hi\u00e9rarchisation des savoirs et la libert\u00e9 intellectuelle. Des expertises qui font face, de surcro\u00eet, \u00e0 une amplitude bureaucratique av\u00e9r\u00e9e dont t\u00e9moigne la majorit\u00e9 des collaborateur\u00b7trice\u00b7s du projet. Les commissaires expliquent: \u00ab En m\u00eame temps que se multiplient les alliances fructueuses, les maillages intersectoriels, et les pollinisations nouvelles entre les multiples champs de la recherche, des faux plis se faufilent et parfois s\u2019incrustent, obligeant \u00e0 une forme de louvoiement et \u00e0 une possible r\u00e9sistance quand il s\u2019agit de confronter une conception de moins en moins lisse de la science et de l\u2019art. Car, si dans les plis se d\u00e9robe ce qu\u2019il y aurait \u00e0 entrevoir, dans les faux plis se r\u00e9v\u00e8lent des torsions, des manipulations, des \u00e9carts qui tendent \u00e0 inqui\u00e9ter et malmener le r\u00e9el. De froissures en plissures et de reflux en replis, il en \u00e9mane un d\u00e9sir de veille, un \u00e9tat d\u2019alerte, une inclination \u00e0 y regarder de plus pr\u00e8s, une obligation \u00e0 garder l\u2019\u0153il ouvert. \u00bb<\/p>\n

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Anna Binta Diallo<\/strong> est une artiste originaire de Dakar qui a grandi \u00e0 Saint-Boniface, au Manitoba. \u00c0 travers la peinture, la vid\u00e9o, le dessin et le collage, elle aborde la question identitaire comme un terrain mouvant, toujours \u00e0 sonder. Les biais qui se glissent dans notre rapport \u00e0 soi et \u00e0 \u00ab l\u2019Autre \u00bb, et les h\u00e9ritages culturels contradictoires l\u2019interpellent et nourrissent ses r\u00e9flexions. Elle vit \u00e0 Winnipeg.<\/p>\n

Sophie Jodoin<\/strong> est port\u00e9e par un int\u00e9r\u00eat grandissant pour les articulations du langage dans son rapport \u00e0 l\u2019image. Elle interroge les manifestations du f\u00e9minin, de l\u2019intime, de la perte et de l\u2019absence dans leur relation au corps : comment l\u2019\u00e9voquer, l\u2019incarner, le figurer, l\u2019\u00e9crire en tant qu\u2019espace v\u00e9cu, habit\u00e9, \u00e9prouv\u00e9 ? Ces consid\u00e9rations, intimes mais aussi collectives, animent son \u0153uvre hybride et installative o\u00f9 se m\u00ealent dessin, collage, \u00e9criture, photographie, objets trouv\u00e9s, livres et vid\u00e9o. Elle vit \u00e0 Montr\u00e9al.<\/p>\n

Eruoma Awashish<\/strong> est une artiste et commissaire atikamekw issue de la communaut\u00e9 d’Opitciwan, en Haute-Mauricie. Depuis quelques ann\u00e9es, ses recherches portent avant tout sur l\u2019hybridation des cultures autochtones qui ont su s\u2019adapter malgr\u00e9 la colonisation et les tentatives d\u2019assimilation. Par sa pratique, elle cherche \u00e0 renverser les rapports de domination en d\u00e9tournant des symboles religieux catholiques, les m\u00ealant \u00e0 ceux h\u00e9rit\u00e9s des spiritualit\u00e9s autochtones. Elle vit \u00e0 Saint-Prime et travaille \u00e0 Mashteuiatsh.<\/p>\n

M\u00e9lanie Myers<\/strong> est artiste et charg\u00e9e de cours \u00e0 l\u2019Universit\u00e9 du Qu\u00e9bec en Outaouais. Sa pratique \u00e9largit les possibilit\u00e9s plastiques et interpr\u00e9tatives du dessin pour mettre en sc\u00e8ne nos rapports m\u00e9diatis\u00e9s au paysage et \u00e0 l\u2019environnement b\u00e2ti. En s\u2019appuyant sur les clich\u00e9s quotidiens et les r\u00e9pertoires in\u00e9puisables d\u2019images sur le Web, ses \u0153uvres explorent autant la vision p\u00e9riph\u00e9rique du r\u00e9el ordinaire que les angles morts du land art. Elle vit \u00e0 Gatineau.<\/p>\n

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Mus\u00e9ologue, commissaire, autrice et directrice de la Galerie de l\u2019UQAM, Louise D\u00e9ry<\/strong> d\u00e9tient un doctorat en Histoire de l\u2019art de l\u2019Universit\u00e9 Laval (1991). Au sein d\u2019une centaine d\u2019expositions et autant de publications, elle a notamment d\u00e9velopp\u00e9 les concepts d\u2019\u00ab exposition chantier \u00bb, d\u2019\u00ab image manquante \u00bb et d\u2019\u00ab \u0153uvre s\u2019exposant \u00bb. Elle s\u2019est illustr\u00e9e par son appui aux femmes artistes et aux artistes de la rel\u00e8ve ainsi que par son \u00e9nergie \u00e0 diffuser les artistes du Qu\u00e9bec et du Canada sur la sc\u00e8ne internationale. Gasp\u00e9sienne, elle vit \u00e0 Montr\u00e9al.<\/p>\n

D\u00e9tentrice d\u2019un doctorat en \u00c9tudes et pratiques des arts de l\u2019UQAM (2024), Marie-H\u00e9l\u00e8ne Leblanc<\/strong> est directrice et commissaire de la Galerie UQO \u00e0 l\u2019Universit\u00e9 du Qu\u00e9bec en Outaouais depuis 2015. Sa pratique commissariale l\u2019a amen\u00e9e \u00e0 produire plus d\u2019une trentaine de projets pr\u00e9sent\u00e9s dans diverses structures d\u2019exposition au Qu\u00e9bec, au Canada et en Europe. Consid\u00e9rant l\u2019exposition comme m\u00e9dium, elle se d\u00e9finit comme commissaire-faiseuse d\u2019expositions-autrice-praticienne-chercheuse. Gasp\u00e9sienne, elle vit \u00e0 Gatineau.<\/p>\n

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Opuscule<\/a><\/p>\n

Parcours vid\u00e9o de l’exposition<\/a><\/p>\n

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COURANTS SOCIAUXFaux plis par hypoth\u00e8ses 18 octobre \u2013 14 d\u00e9cembre 2024Artistes Anna Binta Diallo, Sophie Jodoin, Eruoma Awashish & M\u00e9lanie Myers Aussi: Genevi\u00e8ve Chevalier, Club de prospection figur\u00e9e, Caroline Fillion, Maryse Goudreau, Richard Ibghy & Marilou Lemmens, Emmanuelle L\u00e9onard, Kosisochukwu Nnebe, Anahita Norouzi et Leila Zelli \u00a0 Commissaires Louise D\u00e9ry & Marie-H\u00e9l\u00e8ne LeblancSurvolD\u00e8s le 18 […]<\/p>\n","protected":false},"author":19,"featured_media":19372,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[33,162],"tags":[],"class_list":["post-19430","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-anterieures","category-2024-fr"],"acf":[],"yoast_head":"\nFaux plis par hypoth\u00e8ses - Foreman Art Gallery<\/title>\n<meta name=\"description\" content=\"D\u00e8s le 19 octobre, la Galerie d\u2019art Foreman de l\u2019Universit\u00e9 Bishop\u2019s (Sherbrooke) pr\u00e9sentera Faux plis par hypoth\u00e8ses, une exposition collective sous le commissariat de Louise D\u00e9ry, directrice de la Galerie de l\u2019UQAM, et Marie-H\u00e9l\u00e8ne Leblanc, directrice de la Galerie UQO.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/foreman.ubishops.ca\/fr\/faux-plis-par-hypotheses\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Faux plis par hypoth\u00e8ses - 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