{"id":15348,"date":"2023-08-23T16:04:57","date_gmt":"2023-08-23T20:04:57","guid":{"rendered":"https:\/\/foreman.ubishops.ca\/as-geocreatures\/"},"modified":"2024-10-31T13:19:31","modified_gmt":"2024-10-31T17:19:31","slug":"en-tant-que-geocreatures","status":"publish","type":"post","link":"https:\/\/foreman.ubishops.ca\/fr\/en-tant-que-geocreatures\/","title":{"rendered":"En tant que g\u00e9ocr\u00e9atures"},"content":{"rendered":"

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COURANTS SOCIAUX<\/p>\n

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En tant que g\u00e9ocr\u00e9atures<\/span><\/h1>\n

18 janvier \u2013 23 mars 2024<\/span><\/h2>\n

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Artistes<\/h2>\n

C\u00e9cile Beau, Patrick Coutu, Stefan Herda, Boris Labb\u00e9, Fran\u00e7ois Qu\u00e9villon, Jen Southern,\u00a0Yesenia Thibault-Picazo<\/h3>\n

 <\/p>\n

Commissaire<\/h2>\n

Sylvie Parent<\/span><\/h3>\n

[\/et_pb_text][et_pb_button button_url=\u00a0\u00bbhttps:\/\/fb.me\/e\/1NLEpDyqi\u00a0\u00bb button_text=\u00a0\u00bbVernissage : jeudi, 18 janvier 2024 | 17h00 – 19h00″ disabled_on=\u00a0\u00bbon|on|on\u00a0\u00bb _builder_version=\u00a0\u00bb4.23.1″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb disabled=\u00a0\u00bbon\u00a0\u00bb locked=\u00a0\u00bboff\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_button][et_pb_text admin_label=\u00a0\u00bbEvents Title\u00a0\u00bb _builder_version=\u00a0\u00bb4.24.0″ text_text_color=\u00a0\u00bb#000000″ text_font_size=\u00a0\u00bb20px\u00a0\u00bb header_2_font=\u00a0\u00bb|300|||||||\u00a0\u00bb header_2_font_size=\u00a0\u00bb20px\u00a0\u00bb header_6_font=\u00a0\u00bb|300|||||||\u00a0\u00bb header_6_font_size=\u00a0\u00bb20px\u00a0\u00bb custom_padding=\u00a0\u00bb10px||0px||false|false\u00a0\u00bb border_width_bottom=\u00a0\u00bb1px\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]<\/p>\n

Survol<\/h2>\n

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L\u2019exposition <\/span>En tant que g\u00e9ocr\u00e9atures<\/span><\/i> r\u00e9unit des projets artistiques qui \u00e9voquent, actualisent et r\u00e9inventent les liens qui existent entre le min\u00e9ral et le vivant. Les \u0153uvres pr\u00e9sent\u00e9es invitent \u00e0 adopter une perspective g\u00e9ologique sur la mati\u00e8re vivante et \u00e0 consid\u00e9rer l\u2019impact de la vie sur notre plan\u00e8te.<\/span><\/p>\n

Comme nous l\u2019apprennent les sciences de la Terre, les processus g\u00e9ologiques ont fourni les mati\u00e8res et les reliefs favorables \u00e0 l\u2019\u00e9mergence de la vie. De son c\u00f4t\u00e9, le vivant a contribu\u00e9 \u00e0 fa\u00e7onner la cro\u00fbte terrestre au moyen de la s\u00e9dimentation de mati\u00e8re organique, de la fossilisation et de la bio\u00e9rosion, par exemple. Les transferts mat\u00e9riels du min\u00e9ral au vivant, et inversement, ont donn\u00e9 lieu \u00e0 une occupation partag\u00e9e de l\u2019espace naturel et \u00e0 une co\u00e9volution. La biosph\u00e8re ne peut se concevoir sans la g\u00e9osph\u00e8re et vice versa.\u00a0<\/span><\/p>\n

Pour la philosophe Jane Bennett, nous sommes des \u00ab\u2009g\u00e9ocr\u00e9atures\u2009\u00bb, compos\u00e9es des m\u00eames \u00e9l\u00e9ments chimiques que notre plan\u00e8te et profond\u00e9ment engag\u00e9es dans sa transformation. Nous sommes g\u00e9ologiques, de nos origines min\u00e9rales lointaines aux restes de notre civilisation qui seront enfouis dans la roche. En interrogeant les liens entre le min\u00e9ral et le vivant, nous prenons conscience de notre appartenance \u00e0 la plan\u00e8te dans sa longue formation et percevons notre force g\u00e9ologique pour les temps \u00e0 venir. <\/span><\/p>\n

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Au travers de sculptures ou d’installations sonores et lumineuses, C\u00e9cile Beau<\/strong> construit une <\/span>\u0153uvre minimale et sensorielle qui se saisit de la nature comme objet d\u2019\u00e9tude et de contemplation. <\/span>L\u2019artiste fait intervenir v\u00e9g\u00e9taux et min\u00e9raux, qu\u2019elle associe \u00e0 des technologies lui permettant de <\/span>sugg\u00e9rer des ph\u00e9nom\u00e8nes physiques sp\u00e9cifiques. Dipl\u00f4m\u00e9e de l\u2019\u00c9cole Sup\u00e9rieure des Beaux-Arts <\/span>de Tarbes en 2001 et de celle de Marseille en 2003, l\u2019artiste vit et travaille \u00e0 Paris. Elle a fait <\/span>partie de la promotion 2006-2008 du Fresnoy, studio national des arts contemporains de <\/span>Tourcoing. Laur\u00e9ate 2011 du Prix D\u00e9couverte des Amis du Palais de Tokyo, C\u00e9cile Beau cumule <\/span>plusieurs expositions personnelles ainsi que collectives et a particip\u00e9 \u00e0 de nombreuses r\u00e9sidences <\/span>d\u2019artiste en France et \u00e0 l\u2019\u00e9tranger (Argentine, Allemagne, Belgique, Chine, Colombie, Inde, <\/span>Pologne, Suisse, Tch\u00e9quie).<\/span><\/p>\n

L\u2019\u0153uvre sculpturale de Patrick Coutu<\/strong> est \u00e0 la fois bidimensionnelle et tridimensionnelle. Elle questionne les processus \u00e0 l\u2019origine des structures naturelles et s\u2019inspire des recherches visant \u00e0 comprendre ces processus. Ces derni\u00e8res ann\u00e9es, l\u2019artiste s\u2019est notamment concentr\u00e9 sur les mod\u00e8les math\u00e9matiques, cherchant \u00e0 expliquer le d\u00e9veloppement des structures naturelles en traduisant les mod\u00e8les en forme physique. Ses \u0153uvres se retrouvent dans plusieurs collections priv\u00e9es, institutionnelles et mus\u00e9ales, dont le Mus\u00e9e des beaux-arts du Canada, le Mus\u00e9e d\u2019art contemporain de Montr\u00e9al et le Mus\u00e9e national des beaux-arts du Qu\u00e9bec. Au printemps 2016, il a d\u00e9voil\u00e9 une \u0153uvre permanente, Le jardin du sculpteur, sur la terrasse Parizeau de la nouvelle aile Pierre Lassonde du Mus\u00e9e national des beaux-arts du Qu\u00e9bec. En 2019, le Mus\u00e9e de Joliette pr\u00e9sentait une exposition personnelle de ses oeuvres intitul\u00e9e L\u2019attraction du paysage. L\u2019artiste est repr\u00e9sent\u00e9 par la galerie Blouin Division \u00e0 Montr\u00e9al.<\/p>\n

Stefan Herda<\/strong> examine nos relations avec le monde naturel au moyen du dessin, de la sculpture et de la vid\u00e9o. Inspir\u00e9e par les sciences de la Terre, sa recherche bas\u00e9e sur les mat\u00e9riaux et les processus associe des \u00e9l\u00e9ments disparates : l’authenticit\u00e9, la fa\u00e7ade, le naturel et le manufactur\u00e9. Stefan Herda a compl\u00e9t\u00e9 ses \u00e9tudes de baccalaur\u00e9at \u00e0 l’Universit\u00e9 de Guelph en 2010 et une ma\u00eetrise en architecture du paysage \u00e0 l’Universit\u00e9 de Toronto en 2022. Son travail a fait l’objet d’expositions \u00e0 l’\u00e9chelle nationale et a \u00e9t\u00e9 pr\u00e9sent\u00e9 dans CBC Arts et Daily VICE. Ces derni\u00e8res ann\u00e9es, il a expos\u00e9 \u00e0 Patel Brown Galleries et a particip\u00e9 \u00e0 Cultivars (Possible Worlds) \u00e0 InterAccess \u00e0 Toronto. Originaire de Scarborough, en Ontario, Stefan vit et travaille actuellement \u00e0 Brooklyn, dans l’\u00c9tat de New York.<\/p>\n

Boris Labb\u00e9<\/strong> est illustrateur et r\u00e9alisateur de films d’animation. Son oeuvre se d\u00e9cline <\/span>principalement sous forme de courts-m\u00e9trages, de concerts audiovisuels et d\u2019installations vid\u00e9o. <\/span>Le travail de Boris Labb\u00e9 forme un cin\u00e9ma des multiplicit\u00e9s. La boucle, la r\u00e9p\u00e9tition, la <\/span>repr\u00e9sentation, les collages, les patterns, les m\u00e9tamorphoses, le mouvement perp\u00e9tuel, ainsi que <\/span>les r\u00e9f\u00e9rences constantes \u00e0 l\u2019histoire de l\u2019art, \u00e0 la litt\u00e9rature et \u00e0 la philosophie, sont devenus des <\/span>\u00e9l\u00e9ments incontournables de son langage audiovisuel. Ses travaux ont \u00e9t\u00e9 montr\u00e9s lors <\/span>d\u2019expositions d\u2019art contemporain en France et \u00e0 l\u2019\u00e9tranger (Japon, \u00c9tats Unis, Canada, Espagne, <\/span>Croatie), projet\u00e9s dans plus de 300 festivals de cin\u00e9ma internationaux (dont Cannes, Clermont-<\/span>Ferrand, Annecy, Ottawa, Toronto, Hiroshima…), diffus\u00e9s \u00e0 la t\u00e9l\u00e9vision et jou\u00e9s lors de concerts <\/span>audiovisuels. Ses films et installations vid\u00e9o lui ont valu une cinquantaine de prix et distinctions <\/span>de par le monde, dont entres autres, le Golden Nica Animation au Festival Ars Electronica de <\/span>Linz et le grand Prix du Japan Media Arts Festival de Tokyo.<\/span><\/p>\n

La pratique interdisciplinaire de Fran\u00e7ois Qu\u00e9villon<\/strong>\u202fexamine les interactions de probl\u00e9matiques environnementales, d\u2019enjeux de soci\u00e9t\u00e9 et des d\u00e9veloppements technologiques.\u202fSes dispositifs explorent les ph\u00e9nom\u00e8nes du monde et de la perception par la mise en \u0153uvre de processus sensibles aux conditions variables de l\u2019environnement et \u00e0 l\u2019interf\u00e9rence humaine.\u202fFr\u00e9quemment d\u00e9velopp\u00e9es lors de r\u00e9sidences et de travail de terrain qui se d\u00e9ploient dans la dur\u00e9e, ses r\u00e9alisations sont pr\u00e9sent\u00e9es\u202fdepuis plus de vingt ans dans le cadre d\u2019expositions et d\u2019\u00e9v\u00e9nements internationaux.\u202fParmi eux : Connecting the Dots (Mexico), New Frontier au festival de Sundance (Park City),\u202fSous Observation\u202fau Knockdown Center (New York), International Symposium on Electronic Art (Gwangju, Duba\u00ef et Albuquerque), Open Media Art Fair (S\u00e9oul),\u202fFlora\u202fet\u202f\u0130nsan Eli De\u011fmi\u015f\u202fchez Kalyon K\u00fclt\u00fcr (Istanbul),\u202f.dreams\u202fau Theatre of Digital Art (Duba\u00ef), Festival Internacional de Linguagem Eletr\u00f4nica (S\u00e3o Paulo), Mirage Festival (Lyon), Mois Multi (Qu\u00e9bec), Espace [IM] M\u00e9dia (Sherbrooke), FIFA, MUTEK, NeurIPS, RIDM, Elektra et BIAN (Montr\u00e9al).<\/p>\n

Jen Southern<\/strong> est artiste, ma\u00eetre de conf\u00e9rences en beaux-arts et nouveaux m\u00e9dias, et codirectrice du Centre for Mobilities Research de l’Universit\u00e9 de Lancaster. Avec une \u00e9thique d’auteur partag\u00e9, elle collabore avec des artistes, des technologues et des membres du public pour produire des installations en direct qui combinent l’exp\u00e9rience mat\u00e9rielle et num\u00e9rique. Son travail, de nature hybride entre la pratique artistique et la recherche sur les mobilit\u00e9s, a \u00e9t\u00e9 expos\u00e9 internationalement depuis plus de 25 ans, notamment en Australie, au Canada, en Europe, au Japon, au Mexique, en Nouvelle-Z\u00e9lande et aux \u00c9tats-Unis. Elle a commissari\u00e9 des expositions pour les conf\u00e9rences Global Mobility Futures (2013), Mobile Utopia : Pasts, Presents, Futures (2018) et Mobilities, Aesthetics and Ethics (2023). Elle travaille avec Rebecca Birch et Sarah Casey au sein du collectif d’artistes Rocky Climates.<\/p>\n

Yesenia Thibault-Picazo<\/strong> est une designer interdisciplinaire et une artiste sonore qui explore le <\/span>potentiel narratif des mat\u00e9riaux. Sa pratique fait le pont entre la recherche et l’industrie du design <\/span>\u00e0 travers des projets \u00e0 long terme et des collaborations avec des experts dans le domaine de l’art, <\/span>de l’artisanat, ainsi que des sciences naturelles et sociales. En 2012, elle a lanc\u00e9 le projet de <\/span>recherche \u00ab Craft in the Anthropocene \u00bb : une enqu\u00eate mat\u00e9rielle qui pr\u00e9voit l’avenir de la <\/span>g\u00e9ologie, explore des r\u00e9cits sp\u00e9culatifs et interroge l’\u00e9volution de notre relation avec la nature. <\/span>Yesenia est titulaire d’une ma\u00eetrise en Material Futures de Central Saint Martins (Londres, 2013) <\/span>et a re\u00e7u une formation en design textile chez Duperr\u00e9 (Paris, 2011). Depuis, son travail est <\/span>pr\u00e9sent\u00e9 dans des institutions internationales telles que le V&A, le London Design Museum, le <\/span>MAK Vienna, Les Abattoirs-FRAC Midi-Pyr\u00e9n\u00e9es et le Deutsches Museum.<\/span><\/p>\n

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Sylvie Parent<\/strong> est commissaire ind\u00e9pendante et critique d\u2019art. Elle est impliqu\u00e9e dans le milieu des <\/span>arts visuels et num\u00e9riques depuis plus de 30 ans, aussi bien au Qu\u00e9bec qu\u2019\u00e0 l\u2019\u00e9tranger. Ses <\/span>expositions ont \u00e9t\u00e9 pr\u00e9sent\u00e9es au Canada, aux \u00c9tats-Unis, en Italie, au Br\u00e9sil, en Chine et \u00e0 <\/span>Taiwan. De 2009 \u00e0 2014, elle a assur\u00e9 la direction artistique de Molior, un organisme de diffusion <\/span>d\u2019expositions sur la sc\u00e8ne internationale. Dans le domaine de l\u2019\u00e9dition, Sylvie Parent a oeuvr\u00e9 <\/span>comme r\u00e9dactrice de magazines tels que <\/span>HorizonZ\u00e9ro <\/span><\/i>(2003-2005) produit par le Banff New <\/span>Media Institute et le Magazine du CIAC (1997-2000). Elle a contribu\u00e9 \u00e0 plusieurs revues <\/span>sp\u00e9cialis\u00e9es (<\/span>Parachute<\/span><\/i>, <\/span>Ciel variable<\/span><\/i>, <\/span>Espace art actuel<\/span><\/i>, etc.). Elle est \u00e9galement l\u2019auteure de <\/span>nombreux essais pour des catalogues d\u2019exposition. Sylvie Parent est r\u00e9cipiendaire du prix Joan-<\/span>Lowndes (2017) attribu\u00e9 par le Conseil des arts du Canada \u00e0 un critique ou conservateur d’art <\/span>ind\u00e9pendant en reconnaissance de la qualit\u00e9 exceptionnelle de son travail.<\/span><\/p>\n

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Opuscule<\/a><\/p>\n

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L\u2019exposition En tant que g\u00e9ocr\u00e9atures r\u00e9unit des projets artistiques qui \u00e9voquent, actualisent et r\u00e9inventent les liens qui existent entre le min\u00e9ral et le vivant. Les \u0153uvres pr\u00e9sent\u00e9es invitent \u00e0 adopter une perspective g\u00e9ologique sur la mati\u00e8re vivante et \u00e0 consid\u00e9rer l\u2019impact de la vie sur notre plan\u00e8te. <\/p>\n","protected":false},"author":18,"featured_media":15326,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[33,162],"tags":[],"class_list":["post-15348","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-anterieures","category-2024-fr"],"acf":[],"yoast_head":"\nEn tant que g\u00e9ocr\u00e9atures - Foreman Art Gallery<\/title>\n<meta name=\"description\" content=\"L\u2019exposition En tant que g\u00e9ocr\u00e9atures r\u00e9unit des projets artistiques qui \u00e9voquent, actualisent et r\u00e9inventent les liens qui existent entre le min\u00e9ral et le vivant. 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