{"id":12401,"date":"2023-04-28T08:00:31","date_gmt":"2023-04-28T12:00:31","guid":{"rendered":"https:\/\/foreman.ubishops.ca\/videotank-28-acoustic-ocean\/"},"modified":"2023-11-21T11:56:14","modified_gmt":"2023-11-21T16:56:14","slug":"videotank-28-acoustic-ocean","status":"publish","type":"post","link":"https:\/\/foreman.ubishops.ca\/fr\/videotank-28-acoustic-ocean\/","title":{"rendered":"VID\u00c9OTANK #28 : Acoustic Ocean"},"content":{"rendered":"

[et_pb_section fb_built=\u00a0\u00bb1″ admin_label=\u00a0\u00bbHeader\u00a0\u00bb _builder_version=\u00a0\u00bb4.16″ background_color=\u00a0\u00bb#d7ffe0″ background_enable_image=\u00a0\u00bboff\u00a0\u00bb locked=\u00a0\u00bboff\u00a0\u00bb collapsed=\u00a0\u00bbon\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_row make_equal=\u00a0\u00bbon\u00a0\u00bb admin_label=\u00a0\u00bbHeader\u00a0\u00bb _builder_version=\u00a0\u00bb4.16″ collapsed=\u00a0\u00bbon\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4″ _builder_version=\u00a0\u00bb4.16″ global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_text _builder_version=\u00a0\u00bb4.17.6″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bb|300|||||||\u00a0\u00bb text_text_color=\u00a0\u00bb#8dcb98″ text_font_size=\u00a0\u00bb61px\u00a0\u00bb header_font=\u00a0\u00bb|300|||||||\u00a0\u00bb custom_margin=\u00a0\u00bb|||0px|false|false\u00a0\u00bb custom_padding=\u00a0\u00bb15px||||false|false\u00a0\u00bb global_colors_info=\u00a0\u00bb{%22gcid-d2b62973-8a7c-4fd4-92e9-e712b9785f27%22:%91%93}\u00a0\u00bb]<\/p>\n

VID\u00c9OTANK #28<\/p>\n

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Acoustic Ocean<\/h1>\n

28 avril \u2013 22 juillet 2023<\/h2>\n

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Artiste<\/h2>\n

Ursula Biemann<\/h3>\n

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Survol<\/h6>\n

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En se fondant sur la recherche<\/span>, Ursula <\/span>Biemann<\/span> cr<\/span><\/span>\u00e9e des essais sous forme de<\/span><\/span> vid<\/span><\/span>\u00e9<\/span><\/span>os <\/span>et de<\/span> text<\/span>e<\/span>s <\/span>qui explorent le lien entre la\u202fpolitique et l’environnement<\/span> dans des contextes<\/span> loca<\/span>ux<\/span>, <\/span>mondiaux et<\/span> plan<\/span><\/span>\u00e9taire<\/span><\/span>s. <\/span>Dans s<\/span>on \u0153uvre la plus r\u00e9cente<\/span>,\u202f<\/span><\/span>Acoustic<\/span> Ocean<\/span><\/em>,<\/span><\/span>\u202f<\/span>Biemann<\/span> tire d<\/span>es <\/span>r\u00e9cits<\/span> scientifi<\/span>ques<\/span>, person<\/span>nels<\/span> et<\/span> ph\u00e9nom\u00e9nologiques<\/span> de<\/span> l\u2019<\/span>exploration <\/span>des<\/span> profondeurs oc\u00e9aniques<\/span> et des<\/span> relations <\/span>entre esp\u00e8ces au-dessus et au-dessous<\/span> de<\/span> la<\/span> ligne de flottaison<\/span> des<\/span> <\/span>\u00eeles Lofoten au nord de la Norv\u00e8ge<\/span><\/span>. <\/span>L\u2019<\/span>aquanaut<\/span>e et<\/span> protagonist<\/span>e humaine<\/span> de ce r\u00e9cit<\/span> semi-<\/span>fictif<\/span> place<\/span> le <\/span>long <\/span>de la rive<\/span> des<\/span> instruments<\/span> de d\u00e9tection<\/span>, tels que des<\/span> hydrophones <\/span>et<\/span> microphones <\/span>paraboli<\/span>ques<\/span>,<\/span> en vue de capter l<\/span>es<\/span> communication<\/span>s<\/span> et<\/span> liens<\/span> entre les \u00eatres<\/span> qui<\/span> habit<\/span>ent les profondeurs<\/span> de l\u2019<\/span>oc\u00e9an<\/span>. <\/span>Ce monde<\/span> aquatique<\/span> contient<\/span> les<\/span> m<\/span><\/span>\u00e9<\/span><\/span>mo<\/span>ir<\/span>es <\/span>de<\/span> l\u2019\u00e9<\/span>volution <\/span>sur de multiples \u00e9chelles temporelles<\/span>, <\/span>et<\/span> jongle \u00e9galement<\/span> avec une<\/span> possib<\/span>le<\/span> dissolution. <\/span>Des cr\u00e9atures m<\/span>icroscopi<\/span>qu<\/span>es, <\/span>pa<\/span>r ex<\/span>e<\/span>mple, <\/span>aux corps poreux<\/span> et<\/span> vuln<\/span><\/span>\u00e9<\/span><\/span>rable<\/span>s<\/span> <\/span>\u00e0<\/span><\/span> l\u2019<\/span>acidification<\/span> croissante de leur<\/span> habitat, <\/span>annoncent une<\/span> existence<\/span> future<\/span> incertaine<\/span>. <\/span>L<\/span>e <\/span>r\u00e9cit<\/span> prend une<\/span> dimension <\/span>person<\/span>nelle<\/span> lorsque<\/span> l\u2019<\/span>aquanaut<\/span>e<\/span>, <\/span>interpr\u00e9t\u00e9e par la chanteuse et<\/span> activist<\/span>e \u00e9cologique, <\/span>Sofia <\/span>Jannok<\/span>, <\/span><\/span>\u00e9nonc<\/span><\/span>e<\/span> les<\/span> effet<\/span>s in\u00e9ga<\/span>ux<\/span> d\u2019un<\/span> climat<\/span> changeant<\/span> sur le peuple<\/span> indig<\/span><\/span>\u00e8ne des<\/span><\/span> Sami<\/span>s<\/span>,<\/span> dont elle <\/span>est issue<\/span>, <\/span>et <\/span>sur <\/span>les<\/span> rennes,<\/span> qui sont partie int\u00e9grante de<\/span> leur souverainet\u00e9<\/span> <\/span>\u00e9<\/span><\/span>conomi<\/span>que et<\/span> cultur<\/span>elle<\/span>.<\/span><\/span><\/p>\n

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28 minutes, Colour, Stereo, 16:9<\/p>\n

Original format: 16mm film \/ 2K Video<\/p>\n

 <\/p>\n

With\u202fRasheeqa Ahmad and Rachel Bardiger\u00a0<\/p>\n

Sound excerpts\u202fJulie Hyman, Oliver Pursche, Adam Shapiro, Tendayi Kapfidze, Shermin Voshmgir<\/p>\n

Camera, direct animation, sound, edit\u202fRehana Zaman<\/p>\n

Film telecine\u202fJames Holcombe\u202f\u00a0<\/p>\n

Colourist Jason R. Moffat<\/p>\n

Sound mixing\u202fJames Bull<\/p>\n

Commissioned\u202fby Bor\u00e5s Art Biennial 2021<\/p>\n

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Ursula <\/span>Biemann<\/span><\/strong> est une<\/span> artist<\/span>e<\/span>, aut<\/span>eure et<\/span> essayiste <\/span>vid<\/span><\/span>\u00e9<\/span><\/span>o <\/span>bas\u00e9e \u00e0<\/span> Zurich<\/span> (<\/span>S<\/span>uisse)<\/span>.<\/span> Principalement ax\u00e9e sur la recherche, sa pratique<\/span> artisti<\/span>qu<\/span>e <\/span>se compose<\/span> d\u2019enqu\u00eates sur<\/span> les changements climatiques<\/span> et les<\/span>\u202f<\/span><\/span>\u00e9<\/span><\/span>cologies <\/span>de l\u2019huile et de l\u2019eau<\/span> dans <\/span>l<\/span>es r\u00e9gions \u00e9loign\u00e9es<\/span>. Parmi s<\/span>es projets<\/span> r<\/span><\/span>\u00e9<\/span><\/span>cent<\/span>s<\/span>, on compte<\/span>\u202f<\/span>Acoustic<\/span> Ocean<\/span><\/em> (2018), Forest Law<\/em> (2014), <\/span>Deep<\/span> Weather<\/span><\/em> (2013) <\/span>et<\/span> Egyptian<\/span><\/em> Chemistry<\/em> (2012).<\/span> Ses premi\u00e8res \u0153uvres<\/span> et<\/span> travaux de conservation<\/span> avaient<\/span> l\u2019e<\/span>space <\/span>et la<\/span> mobilit<\/span><\/span>\u00e9<\/span><\/span> comme cat\u00e9gorie<\/span> d\u2019<\/span>analys<\/span>e<\/span>. <\/span>C\u2019est notamment le cas<\/span> d<\/span>e<\/span> son<\/span> projet d\u2019art et de recherche<\/span>\u00a0Sahara <\/span>Chronicle<\/span><\/em> (2006-2009)<\/span>,<\/span> qui a<\/span> fait l\u2019objet de nombreuses expositions<\/span> et <\/span>qui<\/span> port<\/span>e<\/span> sur les r\u00e9seaux de<\/span> migration <\/span>clandestin<\/span>s. <\/span>Ses<\/span> installations <\/span>vid\u00e9o ont <\/span><\/span>\u00e9t\u00e9 <\/span><\/span>pr\u00e9sent\u00e9es<\/span> dans les mus\u00e9es <\/span>du monde entier<\/span> et aux biennales d\u2019art<\/span> i<\/span>nternational<\/span>e<\/span>s <\/span>de<\/span> Liverpool, <\/span>Charjah<\/span>, Shanghai, S<\/span><\/span>\u00e3<\/span><\/span>o Paulo, S<\/span><\/span>\u00e9<\/span><\/span>vill<\/span>e<\/span>, Istanbul<\/span> et<\/span> Veni<\/span>s<\/span>e. <\/span>Biemann<\/span> a<\/span> publi<\/span><\/span>\u00e9 plusieurs livres<\/span><\/span> et est membre fondatrice<\/span> du projet<\/span> collaboratif <\/span>d\u2019art et de m\u00e9dias<\/span> World of <\/span>Matter<\/span>.<\/span><\/span>\u00a0<\/span><\/span><\/p>\n

Biemann<\/span> poss\u00e8de un<\/span> baccalaur\u00e9at en beaux-arts<\/span> de la<\/span> School<\/span> of Visual Arts <\/span>et a particip\u00e9 au<\/span> Whitney Independent <\/span>Study<\/span> Program<\/span><\/span>, \u00e0<\/span><\/span> New York (1988). <\/span>Elle a re\u00e7u le titre de<\/span> doct<\/span>eure<\/span> honoris causa <\/span>en<\/span> sciences humaines<\/span> de <\/span>l\u2019U<\/span>niversit<\/span><\/span>\u00e9<\/span><\/span> Umea<\/span> (<\/span>S<\/span>u\u00e8de),<\/span> ainsi que le<\/span> Grand Prix suisse d’art<\/span>\/<\/span>Prix <\/span>Meret<\/span> Oppenheim<\/span> et le<\/span> Prix Thun for Art and <\/span>Ethics<\/span>. <\/span><\/span>www.geobodies.org<\/span><\/span><\/a><\/p>\n

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Matthew Kyba<\/strong> is a curator and independent researcher. He is currently the Curator of Exhibitions at The Ministry of Culture & Tourism in Ohio. Recent exhibitions have traveled across Canada to Museum London, The Art Gallery of Hamilton, The Winnipeg Art Gallery, and many artist-run centers. Upcoming curatorial projects include projects at the Art Gallery of Alberta, The Foreman Art Gallery, and AceArtInc.<\/p>\n

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Exhibition Booklet<\/p>\n

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VID\u00c9OTANK #28Acoustic Ocean 28 avril \u2013 22 juillet 2023Artiste Ursula BiemannSurvolEn se fondant sur la recherche, Ursula Biemann cr\u00e9e des essais sous forme de vid\u00e9os et de textes qui explorent le lien entre la\u202fpolitique et l’environnement dans des contextes locaux, mondiaux et plan\u00e9taires. Dans son \u0153uvre la plus r\u00e9cente,\u202fAcoustic Ocean,\u202fBiemann tire des r\u00e9cits scientifiques, personnels […]<\/p>\n","protected":false},"author":17,"featured_media":12389,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[33,152],"tags":[117],"class_list":["post-12401","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-anterieures","category-2023-fr","tag-videotank-fr"],"acf":[],"yoast_head":"\nVID\u00c9OTANK #28 : Acoustic Ocean - Foreman Art Gallery<\/title>\n<meta name=\"description\" content=\"In her most recent work, Acoustic Ocean, Biemann combines scientific, personal, and phenomenological narrative in an exploration of oceanic depths and interspecies relations above and below the waterline of the Lofoten Islands in Northern Norway.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/foreman.ubishops.ca\/fr\/videotank-28-acoustic-ocean\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"VID\u00c9OTANK #28 : Acoustic Ocean - 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