{"id":12298,"date":"2022-07-01T00:01:30","date_gmt":"2022-07-01T04:01:30","guid":{"rendered":"https:\/\/foreman.ubishops.ca\/videotank-25-bring-them-back-alive\/"},"modified":"2022-12-03T16:37:00","modified_gmt":"2022-12-03T21:37:00","slug":"videotank-25-bring-them-back-alive","status":"publish","type":"post","link":"https:\/\/foreman.ubishops.ca\/fr\/videotank-25-bring-them-back-alive\/","title":{"rendered":"VID\u00c9OTANK #25 : Bring Them Back Alive"},"content":{"rendered":"

[et_pb_section fb_built=\u00a0\u00bb1″ admin_label=\u00a0\u00bbHeader\u00a0\u00bb _builder_version=\u00a0\u00bb4.16″ background_color=\u00a0\u00bb#d7ffe0″ background_enable_image=\u00a0\u00bboff\u00a0\u00bb locked=\u00a0\u00bboff\u00a0\u00bb collapsed=\u00a0\u00bbon\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_row make_equal=\u00a0\u00bbon\u00a0\u00bb admin_label=\u00a0\u00bbHeader\u00a0\u00bb _builder_version=\u00a0\u00bb4.16″ collapsed=\u00a0\u00bbon\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4″ _builder_version=\u00a0\u00bb4.16″ global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_text _builder_version=\u00a0\u00bb4.17.6″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bb|300|||||||\u00a0\u00bb text_text_color=\u00a0\u00bb#8dcb98″ text_font_size=\u00a0\u00bb61px\u00a0\u00bb header_font=\u00a0\u00bb|300|||||||\u00a0\u00bb custom_margin=\u00a0\u00bb|||0px|false|false\u00a0\u00bb custom_padding=\u00a0\u00bb15px||||false|false\u00a0\u00bb global_colors_info=\u00a0\u00bb{%22gcid-d2b62973-8a7c-4fd4-92e9-e712b9785f27%22:%91%93}\u00a0\u00bb]<\/p>\n

VID\u00c9OTANK #25<\/p>\n

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Bring Them Back Alive<\/h1>\n

8 septembre \u2013 8 octobre 2022<\/h2>\n

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Artiste<\/h2>\n

Bryony Dunne<\/h3>\n

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Survol<\/h6>\n

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Bring Them Back Alive<\/em> (2016)\u202fexplore les avanc\u00e9es du projet colonial avec l’ouverture, en 1869, du canal de Suez \u2014 par o\u00f9 la flore, la faune et les \u00eatres humains ont \u00e9t\u00e9 d\u00e9racin\u00e9s et d\u00e9plac\u00e9s entre les continents \u2014 et met en \u00e9vidence un mod\u00e8le de domination sinistre, voire surr\u00e9aliste. Les films trouv\u00e9s et les photographies de jardins botaniques et zoologiques, de mus\u00e9es d’histoire naturelle et d’expositions universelles sont \u00e9troitement entrem\u00eal\u00e9s \u00e0 la s\u00e9rie photographique de Dunne\u202fsur le zoo \u00e9gyptien de Gizeh, fond\u00e9 il y a 125 ans, ainsi qu\u2019\u00e0 son film traitant de la mort du dernier rhinoc\u00e9ros blanc du Nord.<\/span>\u00a0<\/span><\/p>\n

Soutenu par le centre d\u2019art et de recherche Hangar (Lisbonne)<\/a> et l\u2019Irish Arts Council<\/a>.<\/span><\/p>\n

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Bryony<\/span> Dunne<\/span><\/span><\/strong>\u202f<\/span>est une artiste visuelle et<\/span> cin\u00e9aste irlandaise <\/span>qui exerce un<\/span> chevauchement entre le film<\/span> documenta<\/span>ire<\/span>, <\/span>le <\/span>cin<\/span><\/span>\u00e9<\/span><\/span>ma, <\/span>la <\/span>photograph<\/span>ie et le monde<\/span> natur<\/span>el<\/span>. <\/span>S<\/span>es projets<\/span> ax\u00e9s sur la recherche<\/span> ont pour<\/span> but<\/span> d\u2019<\/span>explore<\/span>r<\/span> les rapports de force<\/span> entre<\/span> l<\/span>\u2019h<\/span>uma<\/span>nit\u00e9<\/span> et<\/span> la<\/span> nature <\/span>et les<\/span> fantas<\/span>me<\/span>s <\/span>du<\/span> contr<\/span><\/span>\u00f4le humain<\/span><\/span>, <\/span><\/span>\u00e0 l\u2019aide<\/span><\/span> d\u2019avenirs hypoth\u00e9tiques<\/span> et<\/span> de fictions fond\u00e9es sur la r\u00e9alit\u00e9<\/span>,<\/span> dont elle tire des<\/span> r\u00e9cits <\/span>inter<\/span>reli\u00e9s<\/span>. <\/span>Ses \u0153uvres<\/span> ont \u00e9t\u00e9 expos\u00e9es<\/span>, <\/span>entre autres<\/span>,<\/span> <\/span>\u00e0 la<\/span><\/span> Mosaic <\/span>Rooms<\/span> (Lond<\/span>res<\/span>), <\/span><\/span>\u00e0<\/span><\/span> la <\/span>Gypsum<\/span> and <\/span>Townhouse<\/span> G<\/span>aller<\/span>y<\/span> (<\/span>Le <\/span>Cair<\/span>e<\/span>), <\/span>au<\/span> <\/span>Irish Film Institute <\/span><\/span>(Dublin)<\/span> et<\/span> <\/span>\u00e0 <\/span><\/span>DEPO (Istanbul<\/span>)<\/span>. Elle a<\/span> particip<\/span><\/span>\u00e9<\/span><\/span> \u00e0 de nombreux<\/span><\/span> festivals<\/span> internationa<\/span>ux<\/span> du <\/span>film <\/span>et de la<\/span> vid<\/span><\/span>\u00e9<\/span><\/span>o, <\/span>y compris<\/span> l<\/span>e Thessaloniki <\/span>Documentary<\/span> Film Festival (Gr<\/span><\/span>\u00e8<\/span><\/span>ce), <\/span>le <\/span>Cork International Film Festival (Irland<\/span>e<\/span>)<\/span> et<\/span> Rencontres Internationales Paris\/Berlin.<\/span> E<\/span>lle est <\/span>actuellement <\/span>en<\/span> r<\/span><\/span>\u00e9<\/span><\/span>siden<\/span>ce<\/span> <\/span>\u00e0<\/span><\/span> la<\/span> Jan <\/span>V<\/span>an Eyck<\/span> Acad<\/span>e<\/span>mie<\/span> (<\/span>Maastricht<\/span>)<\/span>.<\/span><\/span><\/p>\n

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VID\u00c9OTANK #25Bring Them Back Alive 8 septembre \u2013 8 octobre 2022Artiste Bryony DunneSurvolBring Them Back Alive (2016)\u202fexplore les avanc\u00e9es du projet colonial avec l’ouverture, en 1869, du canal de Suez \u2014 par o\u00f9 la flore, la faune et les \u00eatres humains ont \u00e9t\u00e9 d\u00e9racin\u00e9s et d\u00e9plac\u00e9s entre les continents \u2014 et met en \u00e9vidence un […]<\/p>\n","protected":false},"author":17,"featured_media":12045,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[31,32,33,75],"tags":[117],"class_list":["post-12298","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-en-cours","category-a-venir","category-anterieures","category-2022-fr","tag-videotank-fr"],"acf":[],"yoast_head":"\nVID\u00c9OTANK #25 : Bring Them Back Alive - 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