{"id":10964,"date":"2022-04-06T17:00:12","date_gmt":"2022-04-06T21:00:12","guid":{"rendered":"https:\/\/foreman.ubishops.ca\/grad-show-2022-mirage\/"},"modified":"2022-08-09T14:02:32","modified_gmt":"2022-08-09T18:02:32","slug":"mirage-exposition-des-finissant-e-s-2022","status":"publish","type":"post","link":"https:\/\/foreman.ubishops.ca\/fr\/mirage-exposition-des-finissant-e-s-2022\/","title":{"rendered":"MIRAGE | Exposition des finissant\u00b7e\u00b7s en beaux-arts de l\u2019Universit\u00e9 Bishop\u2019s 2022"},"content":{"rendered":"

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\u00c9TUDIANT\u00b7E\u00b7S<\/p>\n

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Mirage<\/h1>\n

24e exposition des finissant\u00b7e\u00b7s en beaux-arts de l\u2019Universit\u00e9 Bishop\u2019s<\/h2>\n

6 \u2013 16 avril 2022<\/h2>\n

\n

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\u00c9tudiant\u00b7e\u00b7s artistes<\/h2>\n

Tosha Callaway, Ma\u00efth\u00e9 Cyr-Morin, Emma Huebchen, Majd Shammas<\/h3>\n

\u00a0<\/h2>\n

Commissaire \u00e9tudiante<\/h2>\n

Jessica Lintz<\/h3>\n

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Survol<\/h6>\n

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L\u2019exposition des finissant\u00b7e\u00b7s en beaux-arts de l\u2019Universit\u00e9 Bishop\u2019s pr\u00e9sente une s\u00e9rie d\u2019\u0153uvres disparates qui refl\u00e8tent le parcours respectif des \u00e9tudiant\u00b7e\u00b7s dans leur baccalaur\u00e9at.<\/p>\n

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Since 2008, Kelly Jaclynn Andres<\/strong> has produced installations, performances and sensorial experiences in configuration to or with vegetal beings. Andres completed a practice based Ph.D in Fine Arts at Concordia University, Montreal, titled Radicle Assemblages (2019). Her current interests include ecological art practices, performative placemaking, co-creative community\/urban planning, and experiential approaches for multi-species interactions. Past exhibitions include Sandstone City, The Lougheed House, Calgary, The Garden of Speculations, articule, Montr\u00e9al, le Centre des arts actuels Skol, Montr\u00e9al, La Maison des arts de Laval, Video Pool, Actuel Contemporary, Winnipeg, PIKSEL, Bergen, Norway. Andres works as a Public Art Curator and Community Facilitator in Red Deer, Alberta where she curated and co-organized the city\u2019s first mural and urban art festival titled Meet the Street (2021). Andres\u2019s past work has been generously supported by the Social Sciences and Humanities Research Council, the Conseil des arts et des lettres du Qu\u00e9bec, and the Alberta Foundation for the Arts. This project is supported by a research-creation grant from the Canada Council for the Arts.<\/p>\n

Born in Wendake, a Huron-Wendat settlement, Ludovic Boney<\/strong> goes on to study in Quebec City. Upon graduating from the School of Sculpture in 2002, he co-founds Bloc 5 (an art production workshop) with four fellow artists. While working there, he conceives his first public art projects, some of which are done in collaboration with other artists trained in screen printing, painting, photography, architecture and sculpture. Boney also teaches sculpture at the Maison des m\u00e9tiers d\u2019art de Qu\u00e9bec. Since 2015 he is settled in L\u00e9vis, where he keeps working on large-scale public art projects, while presenting his work regularly in galleries and artist-run centers. His work was recently shown at Galerie Michel Guimont (Quebec City) and Centre Oboro (Montreal).<\/p>\n

Long-listed for the 2017 Sobey Award, he was also a CALQ recipient and received the REVEAL Indigenous Art Award from The Hnatyshyn Foundation. Ludovic Boney is represented by Galerie Michel Guimont in Quebec City.<\/p>\n

Maude Deslauriers<\/strong> works and lives in Tiohti\u00e0:ke\/Montr\u00e9al, where she is currently completing her master\u2019s in painting and drawing at Concordia University. Her recent work references traditional botanical illustrations in which the specimen has been dissected to reveal microscopic anatomical details. However, as opposed to these images, which essentially bear witness to their subject\u2019s death, Deslauriers\u2019s drawings, paintings and bas-reliefs document an intimate, imagined vision of an interior inhabited by forms that are unmistakably coming to life.<\/p>\n

Ga\u00eblle Elma<\/strong> is a Haitian born, self-taught photographer based in Montreal. She finds purpose with being behind the camera, and this path allows her to see the subtle perfection of everyday life. Ga\u00eblle\u2019s work has been exhibited at Dawson College, Never Apart Gallery and featured in The New Yorker magazine.<\/p>\n

Tania Love<\/strong> is a Toronto based artist whose work evolves from a relationship to place, materials and connection with nature. She engages in a process centred use of diverse materials including plant based inks and dyes, a casein and pigment based paint as well as cyanotype process. Her choice of materials and the materiality of her work places emphasis on tactility and invites slower rhythms and relationship to natural cycles. A graduate ion Fine Arts from the University of Guelph, she is a recipient of numerous grants, international residencies and exhibitions.<\/p>\n

Caroline Monnet<\/strong> (Anishinaabe\/French) is a multidisciplinary artist from Outaouais, Quebec. She studied Sociology and Communication at the University of Ottawa (Canada) and the University of Granada (Spain) before pursuing a career in visual arts and films.<\/p>\n

Her work has been programmed internationally at the Palais de Tokyo (Paris), Haus der Kulturen der Welt (Berlin), TIFF (CAN), Sundance (US), Aesthetica (UK), Palm Springs (US), Cannes Film Festival, Whitney Biennial (NY), Toronto Biennale of Art (CAN), Museum of Contemporary Art (Montr\u00e9al), Arsenal Contemporary NY, Walter Phillips Gallery (Banff), and the National Art Gallery (Ottawa). In 2016, she was selected for the Cin\u00e9fondation residency in Paris. Her work is included in numerous collections including Quebec Museum of Fine Arts, National Art Gallery, RBC Royal Bank, Museum of Contemporary Art Montr\u00e9al. Current exhibitions include the Schirn Kunsthalle (Frankfurt), the Eli and Edythe Broad Art Museum Michigan State University, and a solo show at the Montreal Museum of Fine Art.<\/p>\n

Monnet is recipient of the 2021 Hopper Prize, 2020 Pierre-Ayot award, the 2020 Sobey Art Award, the REVEAL Indigenous Art Awards, as well as grants from Canada Council for the Arts, Conseil des arts et des lettres du Qu\u00e9bec and from le Conseil des arts de Montr\u00e9al. She is based in Montreal and represented by Blouin Division Gallery.<\/p>\n

Abenaki\u2013Wendat artist, writer, storyteller and illustrator Christine Sioui Wawanoloath<\/strong> was born in 1952 in Wendake, her father\u2019s community. She grew up in Odanak in a family of craftsmen, surrounded by creation and the arts. Later, she attended, the famous Coll\u00e8ge Manitou, the first Indigenous post-secondary institution in Quebec, where she studied the arts, photography and history.<\/p>\n

For four decades, she devoted herself to illustration with remarkable consistency, creating images for a vast range of publications, campaigns and Indigenous events. Her work as a visual artist has shown in numerous exhibitions. She has also authored a number of plays and children\u2019s stories. Her publications to date include Natanis (Le Loup de Goutti\u00e8re, 2005), Popokua (Cornac, 2008), L\u2019ours et la femme venus des \u00e9toiles (Cornac, 2009, \u00c9ditions Hannenorak, 2021), Nanib\u00f4ssad \u00f4tloka \/ La lune raconte \/ Moon\u2019s Tales (\u00c9ditions Hannenorak, 2011, CSW 2021), Noki (\u00c9ditions Hannenorak, 2017), Tsoutare’ Sept histoires contemporaines (\u00c9ditions Hannenorak, 2019), Dans Loeil du li\u00e8vre (CSW, 2019), and Mikumess Sisakannowinno\/ Mikumess le voyageur\/ Mikumess the traveler (CSW, 2019). In 2008, her story Le clan des oiseaux was adapted for the stage by the Orchestre symphonique de Qu\u00e9bec as part of Quebec City\u2019s 400th anniversary festivities. Her text Sasaso et la beaut\u00e9 features in the essay collection 11 brefs essais sur la beaut\u00e9 (\u00c9ditions Somme Toute, 2021).<\/p>\n

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Exhibition Booklet<\/a><\/p>\n

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\u00c9TUDIANT\u00b7E\u00b7SMirage 24e exposition des finissant\u00b7e\u00b7s en beaux-arts de l\u2019Universit\u00e9 Bishop\u2019s 6 \u2013 16 avril 2022 \u00c9tudiant\u00b7e\u00b7s artistes Tosha Callaway, Ma\u00efth\u00e9 Cyr-Morin, Emma Huebchen, Majd Shammas \u00a0 Commissaire \u00e9tudiante Jessica LintzSurvolL\u2019exposition des finissant\u00b7e\u00b7s en beaux-arts de l\u2019Universit\u00e9 Bishop\u2019s pr\u00e9sente une s\u00e9rie d\u2019\u0153uvres disparates qui refl\u00e8tent le parcours respectif des \u00e9tudiant\u00b7e\u00b7s dans leur baccalaur\u00e9at.Since 2008, Kelly Jaclynn […]<\/p>\n","protected":false},"author":17,"featured_media":11798,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[33,75],"tags":[83],"class_list":["post-10964","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-anterieures","category-2022-fr","tag-fine-arts-grad-shows-fr"],"acf":[],"yoast_head":"\nMIRAGE | Exposition des finissant\u00b7e\u00b7s en beaux-arts de l\u2019Universit\u00e9 Bishop\u2019s 2022 - 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